(19 results found)
![biblio-related-content-placeholder](/themes/custom/jewishmusic/images/related_content_Bibliographics_items_missing_item.jpg)
Das hermeneutische Element der biblishechen Accentuation; ein Beitrag zur Geschichte der hebraische Sprache (SENDREY 1937)
In Library of the Jewish Theological Seminary of America, New York.
![yuval-item-related-content-placeholder](/themes/custom/jewishmusic/images/Yuval_item_missing_item.jpg)
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
In 1958, on the fiftieth anniversary of the founding of the Society for Jewish Folk…
![biography-related-content-placeholder](/themes/custom/jewishmusic/images/related_content_biographies_missing_item.jpg)
Moritz Rosenhaupt
By Edwin Seroussi
German cantor and composer Moritz/Moses Rosenhaput was born (see…
![yuval-item-related-content-placeholder](/themes/custom/jewishmusic/images/Yuval_item_missing_item.jpg)
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
Introduction
Jewish cantillation—the intoned reading of Torah, Haftarah, and other…
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of Isaac,…
The “Jewish Baroque”: The Allure of a Modern Musical Affair
On March 15, 1899, the distinguished scholar, cantor, composer and avid manuscript…
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
This document, in the form of a synoptic table, incorporates three versions of Idelsohn’…