(32 results found)
Musik im NS-Staat
… Detailed survey of the history of music in the Third Reich, reviewing how Nazism permeated the musical culture of … am Main … Fischer Taschenbuch Verlag … … 1982 … Holocaust … Third Reich … Nazi Nazis … German music … German society … …
Art, Ideology & Ecomomics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts
… Conductors … Musicians … Holocaust … Composers … Musician … Third Reich … Nazi Nazis … Persuade … Composer … Conductor … Alan … Steinweis … Art, Ideology & Ecomomics in Nazi Germany: The Reich Chambers of Music, Theater, and the Visual Arts …
Trial of Strength: Wilhelm Furtwangler in the Third Reich
… … Jewish … Holocaust … Jewish musicians … Jewish music … Third Reich … Nazi Nazis … Wilhelm Furtwangler … Composer … … K. Prieberg … Trial of Strength: Wilhelm Furtwangler in the Third Reich …
Sentimentality and High Pathos: Popular Music in Fascist Germany
… music was used as a social and political tool by the Reich Chamber of Music to shape the German public image of … … 1985 … Music … Popular music … Holocaust … Pop … Radio … Third Reich … Nazi Nazis … Propoganda … German society … Reich …
Das Reichsorchester
… the story of the Berlin Philharmonic Orchestra during the Third Reich as told by the musicians themselves rather than … dedicated to works that were banned during the reign of the Third Reich. Furthermore, all members who were known as Nazi …
Dort wo die Zeder: A Forgotten Zionist Anthem in German
… ruht, das Feld getränkt hat Makkabäerblut — dies heh’re Reich am blauen Meeresstrand, es ist mein liebes, trautes … of an octave of the second inversion of the chord on the third degree of the minor scale (parallel major). The last … the most common version in measures 3-4 in that they are a third higher, probably a remnant of the common oral practice …
Badekns (LKT)
… came the row of women. They took their hands and made a third circle around the men... The entire shtetl joined this … veiling of the bride prior to the wedding ceremony.” Weinreich 1977, p. 713 . “With the band in the lead, they …
Freylekhs (LKT)
… peak on the second phrase higher than on the first. The third phrase generally begins in the median register and … This interval is found by preference between the second and third degree...or between the third and fourth...Once again … Teytel 1966a, p. 106 . “F reylekhs. cheerful tune.” Weinreich 1977, p. 456 . “During the meal they played and …
Hora (LKT)
… backup rhythm is distinguished by playing on the first and third beats, omitting the second - making for a lurching, … . ( Recording references included). “ Hore. hora.” Weinreich 1977, p. 643 . See Gas-nign , Tants-nign , and Zhok …
Khosid/Khosidl (LKT)
… of a kale bazetsn , the ritual seating of the bride. The third section is a well-known khusidl (hasidic-style) melody … “ Khosedl (- ekh ) (type of) Hasidic dance.” Weinreich 1977, p. 606 . See Freylekhs . … Khosid/Khosidl (LKT) …