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The unique character of Ashkenazi synagogal music. Homage to A. Z. Idelsohn
אופיה הייחודי של המוסיקה בבית הכנסת האשכנזי : מחווה לא'צ אידלסון , כנישתא 2 (תשסג)…
Synagogue Music in the Baroque Vol. 1
Synagogal art music prior to the Emancipation (17th-18th centuries), from Italy,…
Synagogue Music in the Baroque Vol. 2 - Dove in the Clefts of the Rock
Works from the 18th century repertory of the communities of Amsterdam: cantatas and…
Synagogue Music in the Baroque Vol. 3 - Dio, Clemenza e Rigore
Hosha'na Rabbah in Casale Monferrato, 1733: Musical ceremony for 3 voices, strings,…
The Western Sephardi Liturgical Tradition as Sung by Abraham Lopes Cardoso
The Western Sephardi Liturgical Tradition as Sung by Abraham Lopes Cardozo. Originally…
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The Concept of Mode in European Synagogue Chant
The article deals with research of the 'Adonai Malach' Steiger using 30 melodies…
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Musical Tradition and its Transmitters between Synagogue and Church
The article consists of two parts. The first, published here, critically examines the…
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Paradigms of Arabic Musical Modes in the Genizah Fragment Cambridge T.S. N.S. 90,4
In addition to Obadiah the Proselyte's manuscripts and secondary sources on Synagogue…
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Heinrich Schalit and Paul Ben-Haim in Munich
An interest in Jewish music was awakened in pre-1933 Munich, beginning with Cantor…