(223 results found)
Male pi shira (My mouth is full of song)
… second and third constitute an antiphonal structure sung by solo singer and congregation. There is a modal transition …
10. La seducida en la fuente (CES)
… dijo la niña: No t’arritires por Dio que el amor primero solo’n solo’n ti se fundió. Entonces dijo la niña: Te digo de …
19. El guitarrista + La firmeza de las estrellas + El enamorado engañado (CES)
… appearing under the CES, the song is performed by a soloist and his performance is very similar to that of Haim …
46. Mi Dio a quien rogaré (Çakum Effendi)
… ghazel (transcription by Mehmet Sankılol) accompanied by a solo clarinet. Each line of the Turkish song is followed by …
47. Ten piadad amoroso (Çakum Effendi)
… Another love song in the classic Ottoman ghazel style with solo clarinet accompaniment (compare with no. 46 above ) …
55. Unas fuentes sin estanco (Isachino Pessah)
… amán, amán. Ni tu niña ni tu risa me puedrían yasear [...?] Solo una muerte dulce me puedría contentar. Amán, amán, … mis amigos no se abastan, querían verme matar. Ah, verán solo una tomba quen de mi se va ‘codrar. Medet… … 10 … 7 … …
67. La seducida en la fuente (La Gloria)
… opening of the refrain are rendered by a group of female soloists. Al rio d’una fuente una segala vi. Al rio d’una …
68. Los árboles llorosos ( La Gloria)
… two lines of each stanza are performed by a group of female soloists. The two last lines of each stanza are sung by the …
Yǝtbārek… wanevāvo
… preceding ones, several Qessoch take turns in the role of soloist; as this is not predetermined, it sometimes happens that two or more of them start singing the solo simultaneously. The periodicity of the chant is … hemiola. This is mostly due to the overlapping of certain solos with the end of the choir section. … The Liturgy of …
'Ǝsebāhaka bakʷwelu gize, Zegevre ‘aviya wamenkǝra, Wǝ'ǝtus kǝma mǝr`āwi, 'Amlākǝ `ālem
… the musical point of view. The performances are varied, the soloist’s part is shared by several Qessoch in turns …