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Mi-al har horev from the manuscripts of Obadiah the Proselyte

… the note F (fa) which is the fourth note in the C major scale, or finally as C (do, indicating a basic C-clef). To …

Maqam

… Arabic term often translated as ‘mode’, ‘scale’, or ‘melody.’ … Maqam …

Baqqashah (Pl. Baqqashot)

… two structures of piyyuutim: The first is a large-scale poetic composition written in a highly stylized …

Lower Extension of the Minor Scale in Ashkenazi Prayer Music

… … Magen Avot … Ashkenaz … Ashkenazi … Ashkenazim … Scale … Theory … Scales … Chazzan … Modality … Ashkenazi … Boaz Tarsi … Lower Extension of the Minor Scale in Ashkenazi Prayer Music …

The Adonai Malach Mode in Ashkenazi Prayer Music: the Problem Stated and a Proposed Outlook based on Musical Characteristics

… … Ashkenaz … Motifs … Insider-Outsider … Idelsohn A.Z. … Scale … Cohon … Avenary … Idelsohn … Ashkenazi … Boaz Tarsi …

Tonality and Motivic Interrelationships in the Performance Practice of Nusach

… of the Ahavah Rabbah mode and its symbiosis with the minor scale, and the implications of this similarity on the … compares the different tonal contexts and location on the scale in each liturgical case. … 3 … Journal of Synagogue …

Hebraeisch-orientalischer Melodienschatz, 01[E]: Gesaenge der jemenischen Juden [Songs of the Yemenite Jews]

… customs and language with analysis of their music (chant, scales and rhythm). … 1 … 38281 … Berlin … Benjamin Harz … … …

Hebraeisch-orientalischer Melodienschatz, 01[G]: Gesaenge der jemenischen Juden

… customs and language with analysis of their music (chant, scales and rhythm). … 1 … 38279 … Leipzig … Breitkopf & …

Hebraeisch-orientalischer Melodienschatz, 09[E]: Der Volksgesang der osteuropaeischen Juden [The Folk Song of the East European Jews]

… here pursued divides the songs primarily according to scale (minor, major etc.) and subdivides them following the various predominant characteristics within the scale.' This method of classification often makes it …