(151 results found)
El Shokhen Shamayim - A Recorded Pearl of Andalusian Hebrew Music from Algeria Recovered
… from the Raml Maya mode, the refrain’s melodic movement and rhythm departs from recognizable patterns of Western …
10. La seducida en la fuente (CES)
… 14). The melody in this version, with its distinctive waltz rhythm and major scale, betrays its European pedigree. For a …
14. El nacimiento y la vocación de Abraham (CES)
… beat (see Weich-Shahak 2014, no. 8), and the second more rhythmical (see Weich-Shahak 2014 , no. 10). This recording …
27. El alma dolorida (CES)
… lines and stanza 6, four octasyllabic lines). The rhythmic instrumental refrain is repeated during the piece … with the first five stanzas that start in flexible rhythm and ornamented style in each first line moving into a more rhythmic style in the second line. La soledad de la nochada …
50. Bezokhri 'al mishkavi (Çakum Effendi)
… a slow, metered melody in makam Uşşak with an interesting rhythmic cycle of 15/4 (sometimes 16/4) per phrase. The …
"Shir la-ma'alot essa 'einai"
… it too has three sections: the first continues in the waltz rhythm at a slightly slower tempo; the second is in … a slow waltz. The third part (verses 7-8) in march rhythm consists of two phrases the second of which ends in a …
Yǝtbārek… wanevāvo
… of the Qessoch ’s feet and the sporadic emission of rhythmic guttural sounds. In this piece, unlike the …
Khars
… in Juhuri) is very similar to Ovshori in its form and rhythm but much slower in tempo. … The Music of the Mountain …
Iyr
… songs. It is followed by a short part which alludes to rhythms from the upcoming sections. The music then abruptly returns to the free rhythm improvisation of the opening section. The third part …
Hashkivenu
… In the present recording, the melody is sung in flexible rhythm; originally, however, it may have had a clear beat. … …