(200 results found)
Lekha dodi
… one of the major anthologies of Curaçao’s Jewish liturgical music that was edited and annotated by Cantor Norman … melodies that have not been traced back to the community’s musical archive but appeared in Swerling’s collection and … Gideon Y. Zelermyer (hazzan) and Raymond Goldstein (piano) … Judeo-Caribbean Currents: Music of the Mikvé …
Raza Deshabbat
… … Ashkenazi liturgy … Chazzanut … Contemporary Israeli Music … Contemporary Liturgy … Piano accompaniment … Hazzanut … Raza Deshabbat …
Eileh Toldot Noah
… … Ashkenazi liturgy … Chazzanut … Contemporary Israeli Music … Contemporary Liturgy … Piano accompaniment … Hazzanut … Eileh Toldot Noah …
“Unter dem kinds Wiegele” – Beneath the Baby’s Cradle
… in the title is a most appropriate description for the piano accompaniment by the left hand only. Stutschewsky, … background, an effect that perhaps inspired Stutschewsky’s piano accompaniment to song no. 8 of this album. "Unter dem … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Unter dem kinds Wiegele” – Beneath the Baby’s Cradle …
“Der Rebe geht schon tanzen” (chassidisch) – The Rabbi is about to Dance (Hasidic)
… of the next piece, the slower El Yivneh Hagalil. The sparse piano accompaniment has a rather percussive character that … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Der Rebe geht schon tanzen” (chassidisch) – The …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… content of his album. El jiwneh Hagalil answered both the musical and pedagogical requirements of this album. … day of work clouded by the unknown. The long notes in the piano bass line, the legato and swell markings in pp … E minor chord and weakened its assertiveness in the shadowy piano accompaniment. __________________________________ [1] …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… lied arrangement of this Yiddish song for voice, viola and piano (Schitomirsky 1912). [1] The melody marked con sordino … personal interpretation is again expressed in his piano part. The piano does not double the melody, but … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Schlof majn Kind, ich wel dich wigen” (Wiegenlied) …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… tune adapted from Idelsohn’s Thesaurus of Hebrew Oriental Music (1923b: 140, no. 193) is an unexpected turn after four … – thin. Here, I would suggest rather another line in the piano, even just doubling the violin, but an octave lower. … but just punctuate it. The rather static, choral-like piano part indeed leaves the space open to the ornamented …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… harmonization and reinforced the melodic line in the piano part, Stutschewsky moves away from the predictable … bass against a B natural in the melody and a G flat in the piano’s right hand. Parallel to the opening, also the … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Die alte Kasche” (Volkslied) – The Old Question …
Lied ohne Worte (chassidisch)
… Jews thrived and turned the Song without Words into pure music (is that a coincidence that a converted, assimilated … Jew – Felix Mendelssohn wrote “Songs without Words” for piano?). (Stutschewsky 1958: 59) In Hasidic thought, … the Die alte kasche’ s refrain. Nadel’s arrangement for piano solo shows the same succinct approach as …