(45 results found)
Eileh Toldot Noah
… … Contemporary Israeli Music … Contemporary Liturgy … Piano accompaniment … Hazzanut … Eileh Toldot Noah …
“Unter dem kinds Wiegele” – Beneath the Baby’s Cradle
… in the title is a most appropriate description for the piano accompaniment by the left hand only. Stutschewsky, most … background, an effect that perhaps inspired Stutschewsky’s piano accompaniment to song no. 8 of this album. "Unter dem …
“Der Rebe geht schon tanzen” (chassidisch) – The Rabbi is about to Dance (Hasidic)
… of the next piece, the slower El Yivneh Hagalil. The sparse piano accompaniment has a rather percussive character that …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… day of work clouded by the unknown. The long notes in the piano bass line, the legato and swell markings in pp … E minor chord and weakened its assertiveness in the shadowy piano accompaniment. __________________________________ [1] …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… 7-8), dynamics, ritenutos , and caesura indications. The accompaniment is an attempt to find a harmonic progression … – thin. Here, I would suggest rather another line in the piano, even just doubling the violin, but an octave lower. … but just punctuate it. The rather static, choral-like piano part indeed leaves the space open to the ornamented …
Lied ohne Worte (chassidisch)
… Jew – Felix Mendelssohn wrote “Songs without Words” for piano?). (Stutschewsky 1958: 59) In Hasidic thought, … the Die alte kasche’ s refrain. Nadel’s arrangement for piano solo shows the same succinct approach as … the tune’s arrangement in favor of a fixed syncopated accompaniment of dissonant chords on the off-beats that …
A Nigun on a soff (chassidisch) – A Tune without Ending
… the tune – there are differences in tonality, atmosphere, accompaniment approach, as well as a prominent melodic … is furthermore obscured by the dissonant chords of the piano. The progression consisting of clashing superposed … While the constant descending quarter note movement in the piano’s accompaniment creates a heavy cyclical pattern – in …
Bulbe (Volkslied) – “Potato” (Folksong)
… retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. Stutschewsky’s arrangement is in B … in bars 7-8. The two closing bars slow down into piano, etwas langsamer , enhancing the elegant humoristic …
Chassidisches Lied – Hasidic Song
… say: The Diversity is at the same time the Unity! [2] The accompaniment is built almost entirely on octaves, creating … between the melody’s A natural and the octave on A# in the piano. This clash of the Hassidic tune’ tonality against the dissonance in the piano turned into a signature mark in his developing …
Zoock (Volkstanz) – Zhok (Folk dance)
… as a Gas-nigun [Street tune], and rarely did it serve as accompaniment to dance. Its origin is in the Moldavian and … indication – quarter = 168-184 – and the drone style accompaniment evoke the imagery of a folk band accompanying … sustained fifth sonority at the four opening bars in the piano renders a double meaning: it creates a village-dance …