(206 results found)
“Der Rebe geht schon tanzen” (chassidisch) – The Rabbi is about to Dance (Hasidic)
… of the next piece, the slower El Yivneh Hagalil. The sparse piano accompaniment has a rather percussive character that …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… day of work clouded by the unknown. The long notes in the piano bass line, the legato and swell markings in pp … E minor chord and weakened its assertiveness in the shadowy piano accompaniment. __________________________________ [1] …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… lied arrangement of this Yiddish song for voice, viola and piano (Schitomirsky 1912). [1] The melody marked con sordino … personal interpretation is again expressed in his piano part. The piano does not double the melody, but provides a rocking …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… – thin. Here, I would suggest rather another line in the piano, even just doubling the violin, but an octave lower. … but just punctuate it. The rather static, choral-like piano part indeed leaves the space open to the ornamented …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… harmonization and reinforced the melodic line in the piano part, Stutschewsky moves away from the predictable … bass against a B natural in the melody and a G flat in the piano’s right hand. Parallel to the opening, also the …
Lied ohne Worte (chassidisch)
… Jew – Felix Mendelssohn wrote “Songs without Words” for piano?). (Stutschewsky 1958: 59) In Hasidic thought, … the Die alte kasche’ s refrain. Nadel’s arrangement for piano solo shows the same succinct approach as … However, Stutschewsky’s harmonization in the piano part is extremely different from Nadel’s banal one. …
A Nigun on a soff (chassidisch) – A Tune without Ending
… is furthermore obscured by the dissonant chords of the piano. The progression consisting of clashing superposed … While the constant descending quarter note movement in the piano’s accompaniment creates a heavy cyclical pattern – in … is further emphasized by a caesura sign in both the piano and the solo part as if briefly holding the breath …
Bulbe (Volkslied) – “Potato” (Folksong)
… retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. … in bars 7-8. The two closing bars slow down into piano, etwas langsamer , enhancing the elegant humoristic …
Chassidisches Lied – Hasidic Song
… between the melody’s A natural and the octave on A# in the piano. This clash of the Hassidic tune’ tonality against the dissonance in the piano turned into a signature mark in his developing …
Zoock (Volkstanz) – Zhok (Folk dance)
… sustained fifth sonority at the four opening bars in the piano renders a double meaning: it creates a village-dance …