(161 results found)
Im nin'alu
… illustrates the following characteristics: Each performer chooses which stanzas of the complete song suit …
Cleaving tune (Niggun Dvekut)
… of Habbad movement. NSA Y438. Musical Transcription … Performers: M. Berlin and band, recorder: M. Berlin. Bnei …
Tenu'a (yd. pronunciation: tnue, tnie)
… In the Vizhnitz and the Koson dynasties, the Rebbe is the performer and the number of tenu’ot is limited. They are …
Mitsve Tants
… in the Lexicon of Klezmer Terminology (LKT). … Performers: The badkhn Yosef Greenwald (" Yosef Ramler") and … Niggun as Sung by the Hasidim. Musical Transcription … Performers: Vizhnitz Choir, congregation and Moshe ( " … Niggun as Sung by the Hasidim . Musical Transcription … Performer: Avraham Bord, Mendel Brikhta, recorder: Yaakov …
Minhah
… Habber. … In Minchat Yehuda S. Recorder: David Habber. … Performer: Una Avigdor, recorder: Avigdor Herzog. Jerusalem 1981, NSA Y 3274. … Performer: Una Avigdor, recorder: Avigdor Herzog. Jerusalem …
Dance tune (Niggun rikud)
… 36 and 58. … Shiru Lo Zimro Lo : bisectional dance tune. Performers: Yeshiva students. Recorder: Andre Hajdu . Bnei … Ahat Kama Ve-Kama, dance tune in a rare structure of ABCD. Performers: crowd. Recorder: Andre Hajdu. Kefar Habbad, … Shimon Bar Yohai tomb during the Hilula of Moshe Rabenu. Performer: M. Berlin and band. Recorder: Andre Hajdu. Meron, …
Judeo-Spanish Moroccan Songs for the Life Cycle
… 1, 1989). 1st edition (1989) was published as a cassette. Performers: Alicia Bendayan , Ester Davida, Ginette Benabu, …
Jews and Hungarians in Modern Hungarian Musical Culture
… - fact that a disproportionately large number of Hungarian performers who became internationally famous were Jewish, … of Kodaly's and Bartok's public and most of their early performers were Jews. Jewish enthusiasm for Hungarian …
Maramaros: The lost Jewish music of Transylvania
… … Traditional … Tradition … Roman … Romania … Musician … Performers … Musicologists … Transylvania … Zoltan … …
Judeo-Spanish songs in the Sephardic communities of Montreal and Toronto: Survival, function, change
… The potential interaction between native and non-native performers is not a corruption of the tradition but …