(87 results found)

Society for Jewish Folk Music
… Engel, Er hat mir fest gelobt \ Engel left Russia for Germany in 1922, where he established the Juwal Publishing … composer and choir director. In 1935 he fled the Nazis and returned to Palestine. In Palestine, and later in …

The Tedeschian Community
… [1] The Tedeschian Jews are Ashkenazi Jews who originated in Germany, and immigrated to Italy at the end of the fifteenth … name 'Tedeschi' (Tedescho in singular), which means 'Ashkenazi' or 'German,' was coined by the local Italian Jews who …
Shofet Kol Ha'aretz
… to this day through performance, its presence in the Ashkenazi rite is obscured due to the general abandonment of its … is a Sephardic poem that found its way into the Ashkenazi rite. As the High Holy Days season arrives, we dedicate … documented in 1724 and 1733) found in South and West Germany, West of the Rhine river (See Image no. 1 ) and in …
Dos Fartribene Taybele (The Exiled Dove)
… 6 … 744 … Germany … This entry is part of an online exhibit entitled: … New York … Yiddish … Yiddish songs … Yiddish Theater … Ashkenazi … Dos Fartribene Taybele (The Exiled Dove) …
Shofet Kol Ha'aretz
… of Sephardic origins that is also sung in various Ashkenazi communities during the High Holy Days. As the High Holy … dedicate the song of the month to rare recordings of Ashkenazi melodies for this piyyut. The author’s first name – … documented in 1724 and 1733) found in South and West Germany, West of Rhine river (See Image no.1( and in North …

The Priestly Blessing in the Ashkenazi Synagogue: Ritual and Chant
… the PB [Priestly Blessing] ritual and its music in the Ashkenazi communities in both Central and Eastern Europe and to … the later developments in the Reform congregations of Germany and North America. In order to do this properly we … … Benedictions … Literature … Ashkenaz … Reform … Ashkenazi … Orthodox … Dukhan - Dukhanen - Dukhenen … Rabbi … …

The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
… Based on MS sources of Maier Levi of Esslingen, Germany (1813–1874), the article demonstrates: (1) The genre … use of the vocalise in the sung liturgy of the Western Ashkenazi synagogue in the Baroque and early modern period. … 3 … … … Musica Judaica … 38334 … 33–85 … … 17 … 2004 … Ashkenazi … Geoffrey Goldberg … The Cantorial Fantasia Revisited: …

The Training of Hazzanim in Nineteenth-Century Germany
… Prior to the advent of modernity, Ashkenazi hazzanim acquired their cantorial skills by serving as a meshorrer, an apprentice as to a trained cantor. In Germany, in the early and mid-decades of the Nineteenth … of the Jewish Music Research Centre … … 2002 … Western Ashkenazi … Geoffrey Goldberg … Eliyahu Schleifer … Edwin …

Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
… minhag ashkenaz, the liturgical rite of Southwest and South Germany. Even after the rise of virtuoso hazzanut in the … Annual … 38324 … 203–217 … HUC-JIR … … 61 … 1990 … Ashkenazi … Geoffrey Goldberg … Hazzan and Qahal: Responsive …

Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
… … Synagogue … Synagogue music … Manuscripts … Reform … Germany … Ninteenth (19th) Century … Composers … … … Compositions … Liturgical music … Composer … Western Ashkenazi … Geoffrey Goldberg … Neglected sources for the Study …