(79 results found)
Eric Mandell
… his collection to Holland. However, the shadow of Nazi expansion led him to move on to England in July 1939 … funding from the Government of the Federal Republic of Germany. Cover of book on Mandel: See also: The Re-discovery …
The Priestly Blessing in the Ashkenazi Synagogue: Ritual and Chant
… the PB [Priestly Blessing] ritual and its music in the Ashkenazi communities in both Central and Eastern Europe and to … the later developments in the Reform congregations of Germany and North America. In order to do this properly we … … Benedictions … Literature … Ashkenaz … Reform … Ashkenazi … Orthodox … Dukhan - Dukhanen - Dukhenen … Rabbi … …
The Cantorial Fantasia Revisited: New Perspectives on an Ashkenazic Musical Genre
… Based on MS sources of Maier Levi of Esslingen, Germany (1813–1874), the article demonstrates: (1) The genre … use of the vocalise in the sung liturgy of the Western Ashkenazi synagogue in the Baroque and early modern period. … 3 … 33–85 … … 17 … 2004 … Ashkenazi … Geoffrey Goldberg … The Cantorial Fantasia Revisited: …
The Training of Hazzanim in Nineteenth-Century Germany
… Prior to the advent of modernity, Ashkenazi hazzanim acquired their cantorial skills by serving as a meshorrer, an apprentice as to a trained cantor. In Germany, in the early and mid-decades of the Nineteenth … of the Jewish Music Research Centre … … 2002 … Western Ashkenazi … Geoffrey Goldberg … Eliyahu Schleifer … Edwin …
Hazzan and Qahal: Responsive Chant in Minhag Ashkenaz
… minhag ashkenaz, the liturgical rite of Southwest and South Germany. Even after the rise of virtuoso hazzanut in the … communities. … 3 … 203–217 … HUC-JIR … … 61 … 1990 … Ashkenazi … Geoffrey Goldberg … Hazzan and Qahal: Responsive …
Neglected sources for the Study of Nineteenth-Century Synagogue Music: The Prefaces to Louis Lewandowski's Kol Rinnah U't'fillah and Todah W'simrah. Annotated Translations
… … Synagogue … Synagogue music … Manuscripts … Reform … Germany … Ninteenth (19th) Century … Composers … … … Compositions … Liturgical music … Composer … Western Ashkenazi … Geoffrey Goldberg … Neglected sources for the Study …
Liturgical-Musical Customs at the Dawn of a New Era: Continuity and Change in Salomon Geiger’s Divrey Kehillot
… Frankfurt … Societätsverlag … … 2005 … Liturgy … Ashkenaz … Germany … Minhag … Orthodox … Emancipation … Western Ashkenazi … Geoffrey Goldberg … Liturgical-Musical Customs at the …
Hebraeisch-orientalischer Melodienschatz, 07[E]: Der traditionellen Gesaenge der sueddeutschen Juden [The Traditional Song of the South German Jews]
… in the congregations of Southern and South-Western Germany. Only in these congregations was the old traditional … … … Scores, Music scores … 1933 … Score … Western Ashkenazi … Abraham Zvi Idelsohn … Hebraeisch-orientalischer …
Hebraeisch-orientalischer Melodienschatz, 07[G]: Der traditionellen Gesaenge der sueddeutschen Juden
… in the congregations of Southern and South-Western Germany. Only in these congregations was the old traditional … … … Scores, Music scores … 1932 … Score … Western Ashkenazi … Abraham Zvi Idelsohn … Hebraeisch-orientalischer …
The Kol Nidre Tune
… times in Babylonia to the ninteenth-century Reform in Germany. It continues with an exploratin of testimonies … The main body of the article is a dissection of the Ashkenazi tune into its melodic components and an analysis of … the tune is mainly compounded of patterns derived from Ashkenazi (especially South German) cantillation motives of the …