(994 results found)
15. Cinco años ya va hacer (CES)
… www.pizmonim.org. The recording by CES is, on the surface, musically different from the melody notated by Levy and … orally in the piyyut tradition. However, a closer musical analysis reveals that there are some structural and …
18. La hermosa durmiente (CES)
… also Attias 1972, no. 15; Kalyviotis 2015 , p. 115). The musical rendition of the CES is unique in that in every …
19. El guitarrista + La firmeza de las estrellas + El enamorado engañado (CES)
… recordings of these couplets, most of them relying on the musical transcriptions of Isaac Levy ( 1959-1973, vol. I, …
24. El buceador (CES)
… performed by his wife Alegra Attias-Alhanati) and the musical transcription in his Cancionero ( Attias 1972 , pp. …
32. La agonía del amante Rosa mia (CES)
… and they are all from Salonica. The melody appears in a musical transcription by Idelsohn ( 1923 , no. 484) with the …
35. Toma mi alma y tómala (CES)
… (Hicaz in Turkish) but in the recording and in all other musical versions the makam is Hüseyni. Toma mi alma y tómala …
43. El infant cautivo (Çakum Effendi)
… left of the romance’s narrative. However, the recording is musically rich, surrounded by instrumental interludes played …
45. Los amigos me dan esperanza (Çakum Effendi)
… 09479 both sung by Isaac Sene ( Havassy 2007 , ES 090). The musical style and tonality hints at a European model, …
50. Bezokhri 'al mishkavi (Çakum Effendi)
… rhythmic cycle of 15/4 (sometimes 16/4) per phrase. The musical structure of the opening stanza is aabA and of the …
62. Cantes amargos (Isac Haim)
… couplet see, Attias 1972 , no. 124, second stanza). Haïm’s musical rendition is in the Turkish ghazel style (in makam …