(391 results found)
Cleaving tune (Niggun Dvekut)
… which probably is a Hebrew translation of the Yiddish expression 'A dveykes nign' or 'A Dveyke', and is found in … whether with or without text, are considered the core of musical creativity in all hassidic communities. They are … canopy. [7] [1] Vinaver-Schleifer, Anthology of Hassidic music , p. 191. In reference to this term among Ashkenazic …
Fal
… that from the first generations of the Hasidic movement, musically skilled Hasidim were aware to the fact that a … [ subjects ]. ' This awareness of Hasidic Menagnim (the musicians, see: Menagen) to the niggun 's division into sections, is expressed in an interview with the late composer of the Gur …
Ma'oz Tzur
… Chanukah menorah. The original text included six stanzas expressing hope for the reestablishment of the Temple in … tradition dating back to the 15th century. According to musicologists A.Z. Idelsohn and E. Birnbaum the melody of …
Shofet Kol Ha'aretz
… development against the background of the various Ashkenazi musical cultures. The Ashkenazi tradition of this pizmon … 1724 from the transalpine tradition and had embraced the music aesthetics of the surrounding culture. The balanced … of the Ashkenazi style (hazzanut). It is not only the expressivity and the strong accent placed on words of …
Prayer for the state
… Synagogue … Liturgical Innovation in a Nation-State: The Music of the “Prayer for the Well-being of the State of … excellent article by Rabbi Prof. David Golinkin HERE The music of the “Prayer for the Well-being of the State of … The first part is an incisive recitative full of dramatic expression. It emphasizes the interval of the major third C-E …
Shofet Kol Ha'aretz
… line of the opening stanza, is the refrain (same words and music are repeated) and x, the last line of the rest of the … practices evolved prior to the invention of the printing press. Among the novelties that emerged in the past decade … Shofet kol ha’aretz.” This is the earliest mention of the music of our poem, and obviously it indicates that in the …
Moyshelekh Un Shloymelekh (part 1)
… is very clear. Each line is fitted with two bars in the music, and has the same rhythmic pattern (except the fifth line). The last line is repeated with different music, the repeat serves as coda. If we take the repetition … Sinai. Anthology of Yiddish folksongs . Jerusalem: Magnes Press, 1989. The picture is from …
Moyshelekh Un Shloymelekh (part 2)
… Union College. It was published in New York (by Hensley Music Co.: Metro Music Co.) in 1966. Papernikoff's text portrays the tender … Sinai. Anthology of Yiddish folksongs . Jerusalem: Magnes Press, 1989. … 21770 … Moyshelekh Un Shloymelekh (part 2) … …
Hayrana Laih
… in the Arab world, but also has connections to Jewish musical contexts and musicians. The lyrics of Hayrana Laih … This website stresses the “Jewishness” of Hosni that was expressed, according to the testimonies included in the … of a Modern Diaspora. Berkeley: University of California Press, 1998. http://ark.cdlib.org/ark:/13030/ft2290045n/ [8] …
Yuval - Studies of the Jewish Music Research Center, vol. 5 - The Abraham Zvi Idelsohn Memorial Volume
… volume online on NLI website … 1 … Jerusalem … The Magnes Press, The Hebrew University … Yuval - Studies of the Jewish Music Research Center … 5 … 9426 … 9434 … 9593 … 1986 תשמו … Jewish … Music … Research … Hava Nagila … Abraham Zvi Idelsohn … …