(338 results found)
43. El infant cautivo (Çakum Effendi)
… by instrumental interludes played by oud and clarinet. The melody in the ABCD form is characteristic of Sephardic …
49. Im afes (Çakum Effendi)
… from Haim Effendi’s published version of 112 the text. This melody in makam Uşşak/Hüseyni is one of the most widespread … Isaac Algazi recorded Im afes with this same traditional melody but with the Hebrew text ( Seroussi 1989, no. 3). Si …
50. Bezokhri 'al mishkavi (Çakum Effendi)
… longer and includes a fragment of the third stanza. The melody as well as the clarinet accompaniment are 113 … identical to Haim Effendi’s setting. It is a slow, metered melody in makam Uşşak with an interesting rhythmic cycle of …
54. Yo no entiendo la mi madre (Isachino Pessah)
… o El amante ladrón ); Attias 1972 , nos. 24, 25, 103. The melody is very similar to that of the song La maldición de …
60. Noche de alhad (Elie Cohen)
… 1989 , no. 23). Cohen’s version, presenting the traditional melody in makam Hüseyni, includes four stanzas and is quite similar to Algazi’s. Sephardic Ottoman Jews use this melody also for Lekha eli teshuqati by Abraham Ibn Ezra, a …
64. El mancebo seboso + La fea y el viejo (La novia exigente) + Las camas altas (Sida Musafija)
… themes, all of them of serial structure, sung to the same melody. Three distinctive units appear in this recording: El …
65. El baile de los falsos (Sida Musafija)
… is a Judeo-Spanish contrafact of an extremely popular dance melody of the early twentieth century made famous in its …
69. Asiéntate te hablaré (La Gloria)
… de Hanum Dudún , a widespread wedding song with a different melody (see above notes to nos. 6 and 38 ). Besides this …
71. El juramento del mancebo + El escolero y las viñas + El novio desprendido (La Gloria)
… las viñas was evidently very popular in Sarajevo, since its melody was adapted for a piyyut by Najara (“Yakhbir milin …
Maoz Tzur
… in the Jerusalem Temple by the Maccabeans. The 'Ma'oz tzur' melody from the Verona Ashkenazi ritual is a variant of the …