(382 results found)
174. Barekhu
… 3 … 7 … Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz … Maier Levy … Chazzan … …
U-ma'avir yom
… 3 … 7 … Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz … Maier Levy … Chazzan … …
177. Uvetzel kenafekha
… 3 … 7 … Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz … Maier Levy … Chazzan … …
50. Barukh she-amar
… 3 … 7 … Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz … Maier Levy … Chazzan … …
175. Uma'avir yom
… 3 … 7 … Between Tradition and Modernity: The High Holy Days Melodies of Minhag Ashkenaz … Maier Levy … Chazzan … …
Léibele Schwartz
… As Léibele did not write music, Néstor transcribed the melodies created by Léibele orally and made the … CANTOR LÉIBELE SCHWARTZ Sings Cantorial & Chassidics melodies. LP. I. Ushis Kirshblum (narrator), Jack Baras … Mussaf Service (Fuchs, I.) Cantorial and Chassidic Melodies. Léibele Schwartz. Musique Internationale, 1984? …
"Sha'ali yefefiyah" (Ask, lovely one)
… from Morocco to India, and they are sung to different melodies on different occasions. Originally these songs were … poetic meter, this is a typical example of the migration of melodies in the Yemenite repertoire. The first, second and …
Hus elohai mime'onkha (Have mercy O Lord, from Thy dwelling)
… for his own creation. Yosef Ozeiri sings two alternating melodies. The first and third stanzas are sung in slow …
"Saperi tama temima" (Tell, pure and innocent)
… gradually becomes apparent. Saperi tama is sung to many melodies. In the two versions recorded here six of these are … 3 is sung in Arabic. The stanzas are sung to four different melodies. The soloist chooses the melodies, and one melody is succeeded by another for the …
"Ayumah be-har hamor" (The Beloved on the mountain of myrrh)
… here. The content of the poem and the variety of the melodies to which it is sung illustrate the way in which it …