(92 results found)
Elohim hashivenu: A liturgical insertion for the High Holidays in Salamone Rossi's version in Italy and beyond
… determine, but at the very latest one can point to the late medieval period. These verses already appear in the very …
La Galana: A Very Old-New Sephardic Song
… indeed recall layers of a Hispanic tradition of medieval origins. References Amato Levy, Rebecca. I …
An Ashkenazi version of “Ehad mi yode’a” in…Arabic
… folksongs added to the Haggadah sometime during the late medieval period to vernacular languages is indeed a common …
29. La llamada a la Morena + La nave por partir (CES)
… A compilation of stanzas of various sources, some of medieval Hispanic origin (CMP A A45; Attias 1972 , no. 12; …
Paul Fenton
… philosophy and music. He is also considered an authority on Medieval Hebrew and Arabic manuscripts. Full biography at …
'Et sha'are ratzon
… the first and last strophes of one of the most remarkable medieval Hebrew poems based on Midrashic themes that are …
A Recovered Voice from the Past
… enigmatic, elusive figure. In a way, he, too, is like the medieval rabbis so beloved by Jewish Studies—a disembodied …
11-13. La llamada a la morena + El vestido de la novia + La nave por partir + Las flechas del amor
… sun of summer had made her skin dark (for a very similar medieval Hispanic formulation, see Frenk 1987: 66-68 ). The …
A cantor’s pledge in the High Holyday’s Provençal liturgy (Minhag Carpentras)
… possibility of local accretions (generically defined as “medieval French chants”). Musically speaking, Minhag … in its entirety after the soloist, a rare technique in post-medieval Jewish liturgies … Rabbi Meir Zini (1921-2012), who …
Music Subjects in the Zohar: Texts and Indices
… compilation of passages from the Book of Splendor, the main medieval text of Jewish mysticism, addressing non-verbal …