(131 results found)
Idelsohn's Obituary of Abraham Goldfaden
The passing of the founder of the Yiddish theater spawned a touching emotional response…
17. La enamorada precoz + El mancebo cruel (CES)
The opening stanza is widespread in many songs (e.g. Attias 1972, no. 24; Levy 1959-1973…
65. El baile de los falsos (Sida Musafija)
This is a Judeo-Spanish contrafact of an extremely popular dance melody of the early…
[E-erokh nivi. Mi-kehilah]. (Berit-milah)
[E-erokh nivi. Mi-kehilah]. (Berit-milah) [I will raise my harp. From the community…
Eliyahu Hacohen
There are scholars of Jewish and Israeli culture whose crucial contributions remain…
Mi hakham ve-yishmor eleh, Qaddish and Barekhu
This piece opens with the second half of the last verse of the special Psalm for Succoth…
A Recovered Voice from the Past
Preface
The history of the Jews, Heinrich Graetz, the great nineteenth-century German…
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
This document, in the form of a synoptic table, incorporates three versions of Idelsohn’…
Revisiting a Forgotten Treasure in Philadelphia
The library of Gratz College is very well known among scholars and collectors of Jewish…
Jews in Gibraltar and the music of their synagogues
Jews in Gibraltar and the music of their synagogues: An introduction
Introducing the…