(49 results found)
Hayrana Laih
… ). He enriched Arab music by introducing new modes ( maqamat ) and rhythms of Persian and Turkish origin. [1] …
Ten Zemirot Ami: New Melodies for Piyyutim from the Aleppo Mahzor (1527)
… in integrating the piyyut with the art of the Arabic maqam : R. David Menahem, Roni Ish-Ran, Yair Dalal, Elad …
Ades Synagogue
… the Aleppine Jews. Each Shabbat is matched with a specific maqam, according to the weekly Parashah. Since its … Mizrahi Hazzanut … Piyyutim … 21770 … Sephardi-Yerushalmi … Maqam … Makam … Piyyut … Piyyutim … Syria … Ades Synagogue … …
Steiger
… there is room to improvise (this is similar to the Arab Maqam). Cantors and skilled service leaders can facilitate …
Andalusian Nuba
… system of connections between the movements. Similar to the Maqam that is found in Arabic music of the east, the Nuba is …
The Jerusalem-Sephardic Tradition
… from Spain was the use of the Arabic-Turkish modal system ( maqam ), a musical system that shaped the Shabbat and … Najara (1555-1625), where we find reference to the use of maqam . The use of maqam for liturgical poetry and song was based throughout …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… Arabs, where the minor mode sounds more like the Maqam Bayat.” [4] In relation to his version of this melody, …
Avi Bar-Eitan
… and individual identities; the concept of steyger and maqam in vocal and instrumental music of Ashkenaz and …
Jewish Professional Musicians in Iraq and Israel, Revisited
… exploring the variations between the traditional Iraqi maqam tradition from Baghdad and what she termed ‘mainstream … as ensemble lineup, primary instruments, specifically Iraqi maqamat , and the melodic construction of taqasim, were … ‘mainstream’ directives for Arabic music. Hence, the Iraqi maqam repertoire in Israel went into decline, surviving only …
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
… whence he challenged them to compare their melodies and maqams with his own compositions (Shelemay 1998, 30-32). … sections: an instrumental prelude, a well-known d u lab in maqam hijaz on G performed here on a qanun and a violin, … Tabbach, now only accompanied by the qanun, establishes the maqam of the song—huzzam—and introduces the first verse: Yom …