… in 1939. He received his diploma from the Rubin Academy of Music in Jerusalem in 1965, his bachelor's degree from the … Columbia in 1977. Since 1973 he has been a professor of music at Bar-Ilan University and professor of … He served as a chairman on the jury of the International Klezmer Festival in Tzfat from 1990 to 1993, and as director …

… approach that challenged established categories in Jewish music research. This concept was already introduced in the … regarding the proper foundations of modern Jewish art music – the Eastern-European domestic folklore versus … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei …

… arrangement combines the Hassidic dance tune with a klezmer style accompaniment, a variation of an um-pah … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer Tanz (Original aufgenommen von S. …

… life. Stutschewsky wrote about this genre in his book on klezmer: The Zoock was performed especially as a Gas-nigun … to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, and several of these genres even carry …

… in G-od, the almighty, have developed a strong sense for music within their soul. For the Chassid the song and dance … mark in his developing approach to Eastern European Jewish music. ____________________________________ [1] J. … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Chassidisches Lied – Hasidic Song … …

… conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. Stutschewsky’s … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Bulbe (Volkslied) – “Potato” (Folksong) … recordings …

… Stutschewsky seems to hint at two sides of the same musical coin in Hasidic thought. Cyclical return and the … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … A Nigun on a soff (chassidisch) –  A Tune without …

… Jews thrived and turned the Song without Words into pure music (is that a coincidence that a converted, assimilated … Played on the violin or cello, the dreidlakh adds a klezmer touch to the interpretation. However, Stutschewsky’s … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Lied ohne Worte (chassidisch) … recordings …

… … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Die alte Kasche” (Volkslied) – The Old Question …

… tune adapted from Idelsohn’s Thesaurus of Hebrew Oriental Music (1923b: 140, no. 193) is an unexpected turn after four … some of Idelsohn’s ideas related to the antiquity of the music of the Yemenite and Babylonian Jews were echoed in … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Nahôn libbo is hujire – Whole-heartedly is …

… … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Schlof majn Kind, ich wel dich wigen” (Wiegenlied) …

… content of his album. El jiwneh Hagalil answered both the musical and pedagogical requirements of this album. … ( ahava raba ) mode, El jiwneh Hagalil offers a contrasting musical symbol signifying the modern Jewish national rebirth … … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … El Jiwneh Hagalil (Lied der galilaischen …