(1546 results found)
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… number in A minor – the Kol Nidrei. … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer Tanz (Original aufgenommen von S. …
Zoock (Volkstanz) – Zhok (Folk dance)
… the listener back to the celebrative moments of traditional Jewish life. Stutschewsky wrote about this genre in his book … to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, … see example in Stutschewsky 1959: 100. … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - …
Chassidisches Lied – Hasidic Song
… in G-od, the almighty, have developed a strong sense for music within their soul. For the Chassid the song and dance … moving, this repetition reflects the perseverance of the Jewish belief: The Chassidic nigun is splits up to smaller … mark in his developing approach to Eastern European Jewish music. ____________________________________ [1] J. …
Bulbe (Volkslied) – “Potato” (Folksong)
… may be classified as a humoristic-satiric Eastern-European Jewish folksong. About this category Stutschewsky wrote two … an element of self-edification [original emphasis] in the Jewish humor and in the Jewish joke. Most of the humoristic … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Bulbe (Volkslied) – “Potato” (Folksong) …
A Nigun on a soff (chassidisch) – A Tune without Ending
… Stutchewsky seems to hint at two sides of the same musical coin in Hasidic thought. Cyclical return and the … in J. Stutschewsky, ibid ., p. 59. … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … A Nigun on a soff (chassidisch) – A Tune without …
Lied ohne Worte (chassidisch)
… Hassidim and among the people’s masses) sprouts the main Jewish characteristic, that of total dedication to the … Jews thrived and turned the Song without Words into pure music (is that a coincidence that a converted, assimilated … [1] Engel to Stutschewsky, ibid. … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… persistent questioning portrays a certain Eastern European Jewish stereotype. [1] Perhaps for this reason, Die alte … [2] Engel to Stutschewsky, ibid. … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Die alte Kasche” (Volkslied) – The Old Question …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… exiled in the Promised Land. The inclusion of this Iraqi Jewish tune adapted from Idelsohn’s Thesaurus of Hebrew Oriental Music (1923b: 140, no. 193) is an unexpected turn after four … Idelsohn became an inspirational repository of “authentic” Jewish tunes for modern Jewish composers following their …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… of his work. This subsection depicts a day’s cycle from the Jewish experience. It opens with an intimate night-time … Schitomirsky and Lwow 1912, No. 39). … Stutschewsky's 13 Jewish Folk Tunes … Ashkenazi people … Ashkenazim … Cello - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … “Schlof majn Kind, ich wel dich wigen” (Wiegenlied) …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… ha-galil would fill an entire chapter in the history of the Jewish song (Seroussi 2010). Different tunes, variations of … content of his album. El jiwneh Hagalil answered both the musical and pedagogical requirements of this album. … offers a contrasting musical symbol signifying the modern Jewish national rebirth colored in the dorian mode. The …