(36 results found)
Hora (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … Jews, is common in northeastern Romania and among Bukovina Ukrainians. Among Yiddish-speaking Jews, the triple-meter … dance, cf. Bulg. krivo horo ] and other terms. American-Jewish musicians often refer to it as ‘slow hora.’ The …
Zhok (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … Europe, especially in Hungary, Moravia, and Rumania, Jewish youths would assemble on Saturday afternoons for … tunes... Zhok is also quite recent. Stutschewski is of Ukrainian origin and in his book he writes about zhok as if …
Hopke (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … the hopak . (The name hopak was folklorized into hopke .) Jewish kozachok melodies were borrowed, but in the klezmer … did not keep their name. Alongside of literal transfers of Ukrainian kozachoks and hopaks, the klezmer repertoire also …
Hopak (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … the hopak . (The name hopak was folklorized into hopke .) Jewish kozachok melodies were borrowed, but in the klezmer … did not keep their name. Alongside of literal transfers of Ukrainian kozachoks and hopaks, the klezmer repertoire also …
Bulgar (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … “ Bulgar or bulgarish is a common East European Jewish music and dance form, usually in 2/4 time. While its … markets. The Greek hasaposerviko and some version of the Ukrainian/Romanian-Jewish bulgar... are danced to this kind …
Doyne (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … other contemplative, free-meter genres in the East European Jewish tradition, including cantorial recitatives, the kale … non-Jewish influence heard in the melody is probably Ukrainian. In the middle part of the melody one also hears …
Pastukhel (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … and most beautiful of Yiddish folk songs. A certain non-Jewish influence heard in the melody is probably Ukrainian. In the middle part of the meoldy one also hears …
Kozatshok (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … you get the full reference. “Sometimes, however, certain [Ukrainian, non-Jewish] melodies are deliberately adopted as extraethnic. In …
Kozatske (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … and cannot pay for it. The first part of the melody is of Jewish origin, the latter part is Russian and in keeping … Jewish Poland. There is nothing to distinguish it from the Ukrainian dance. But even here the klezmorim gave it their …
Kozak (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … at the end of each citation, you get the full reference. “Jewish musicians used to play frequently at non-Jewish … they undoubtedly played Jewish tunes in addition to the Ukrainian dance-repertoire. In the same way they brought …