(137 results found)
… Idelsohn A.Z. … Idelsohn … Abraham Zvi Idelsohn … Methodology … Ethnomusicology … Musicology … … the Limits of “Correctness”: The Implicit Methodology of Idelsohn’s "Thesaurus" … רות כץ …
… Idelsohn A.Z. … Idelsohn … Abraham Zvi Idelsohn … Pronunciation (of Hebrew) … Hebrew language … A.Z. Idelsohn and the Study of the Traditional Pronunciations of …
… were chanted is surprising. It appears that Abraham Zvi Idelsohn (1882–1938) was the first to address this topic, devoting few yet valuable remarks to this melody. Idelsohn (1929, 167) mentions the “‘Akedah -tune” as the … used for all the poems with the same content and meter.” (Idelsohn 1929, 170). Figure 3: “Jesu, welche Qual hast du …
… Idelsohn's Autobiographical Sketches (Hebrew) … אליהו שלייפר …
… My Life (Hebrew) … Abraham Zvi Idelsohn …
… of the Institute of Jewish Music in Jerusalem by A. Z. Idelsohn and S. Z. Rivlin in 1910 (Hebrew) … Bathja [Batya] …
… A.Z. Idelsohn's Music: A Bibliography (Hebrew) … Shlomo Hofman …
… Even the “father” of Jewish music research, Abraham Z. Idelsohn , did not dedicate more than a footnote to these …
… (University Park and London, 1976, pp. 100-101) quoting Idelsohn's work (see below) and Emanuel Kirschner's printed … & Härtel, 1913). In fact, this information was taken from Idelsohn’s introduction to volume 7 of the Thesaurus of … refers to other possible German sources for this melody. Idelsohn included “She’eh ne’esar” in this volume dedicated …
… In the footsteps of Robert Lachmann as well as Abraham Zvi Idelsohn (1882-1938), another pioneer of music research in … Robert Lachmann: His Achievement and His Legacy, 1974 A.Z. Idelsohn: A Pioneer in Jewish Ethnomusicology, 1986 She also …