(1008 results found)
50. Bezokhri 'al mishkavi (Çakum Effendi)
… A selihah by Rabbi Yehudah Ibn Bal’am (Al-Andalus, 11th … from 2 Samuel 24, 10 (נפלה נא ביד ה' כי רבים רחמיו). The selihah was also recorded by Haim Effendi ( 2008, CD 1, no. … … Ottoman Empire … Sephardic song … Salonica … Saloniki … Selihot - Selikhot … Thessaloniki … Eastern Sephardi … 50. …
49. Im afes (Çakum Effendi)
… from Ashkenaz (Germany), that is included in the Sephardic selihot service. There are several versions of this poem in … … Sephardic music … Salonica … Saloniki … Thessaloniki … Selihot - Selikhot … Eastern Sephardi … 49. Im afes (Çakum Effendi) …
46. Mi Dio a quien rogaré (Çakum Effendi)
… Ladino. Ay, yare, amán, amán Yar kime feryat ideyim yarın elinden Mi Dio a quen rogaré, amán ande Ti. [Ah] ben nice kan ağlayayım [ah] yarın elinden Ya, los mis ojos hace correr por Tu nombre, mi Dio. … de su nido Kurtaramadım (?) goncesini yarın (halin?) elinden Non escapí a la rosa de mano del espino. Aaa, …
36. La bella en misa (CES)
… no. 59; Perez 2007 , pp. 23-28; PF 185/02 (sung by Estrea Aeliyon from Salonica). The melody covers two lines of the … performance of romances in the Ottoman Empire with a very melismatic four-phrase tune without a clear beat. Tres damas …
28. El robo de Dina (CES)
… of this romance recorded by the important informant Estrea Aeliyon (PF 185/04) and by Hemsi ( 1995 , no. 11A), both from …
26. La rosa de mayo + Los bilbilicos (CES)
… fourth stanza. The melody was adapted at an early stage to religious Hebrew texts, especially to the Sabbath table song, …
22. La galana (CES)
… la ventana.” ( Bunis 1999 , English part, p. 329, note 87). Elie Cohen also recorded this song in a shorter version …
20. El hijo del guebir (CES)
… addressing the son of one of the members of the Sephardic elite. The figure of the tiñoso (person who suffers from …
16. El pájaro de amor (CES)
… ama una hijica y te jura de verdad. Por sus palabras tan delicadas él me hizo amistad. Yale, medet, yarem, amán, …
14. El nacimiento y la vocación de Abraham (CES)
… and is performed with at least two different melodies, one melismatic and without a clear beat (see Weich-Shahak 2014, …