(106 results found)
Bloch: Known and Unknown
… ‘modernity’, was he aware of it and was it shared by critics and interpreters in Bloch’s lifetime and …
The Jewish Bloch
… category that he initially embraced so enthusiastically. Critics’ insistence on hearing Jewish overtones in all of Bloch’s music can be demonstrated in the critical reception of his America, a work in which he … to Bloch’s American rhapsody reveals that not only his critics, but also Bloch himself was trapped in the …
Documenting and Performing Ashkenazi Music
… In 1929-1930 Beregovski published two of his first works: a critical review on Musikalischer Pinkos and an article on …
Music: The “Jew” of Jewish Studies (details)
… A critical review of research in Jewish music, its paradigms, …
Beregovski’s Early Publications in the Context of his Research
… In 1929-1930 Beregovski published two of his first works: a critical review on Musikalischer Pinkos and an article on …
Music : the "Jew" of Jewish studies
… A critical review of research in JM, its paradigms, …
Yinon
… poems of redemption and faith, secular poems of morality, criticism, love and glory, and an introduction about the …
Piyyutim for the High Holidays
… Haim was a quintessential Sephardi singer of his period, a critical era of deep social and cultural transition in the …
Society for Jewish Folk Music
… – was introduced to the Russian Jewish composer and music critic Joel Engel . Stasov berated Engel for abandoning … “Its character is depressing and sentimental,” wrote music critic and composer Menashe Ravina in 1943. “The healthy …
Brakha Tzefira
… their performances, which were favorably commented upon by critics. She performed in front of some important figures, … 1931, they went on tour of Alexandria and Cairo, which was critically acclaimed, followed by a similar tour in 1936. … However, it was also external pressure, coming from critics and the general public, that created the expectation …