(309 results found)
Bernardo Feuer
… … Hazzan, Hazan, Chazzan, Chazzanut, Hazzanut, Hazzanim, Cantors – Hazzanim, Cantors … Hazzan, Hazan, Chazzan, Chazzanut, Hazzanut, Hazzanim, Hazzanim – Cantors, Cantors … 22748 … Hazzanim - Cantors … Cantors - …
The Cantorial Fantasia of the Eighteenth and Nineteenth Centuries
… Fantasias became widely known, were performed by many cantors, and are recorded in several variants which show the … changing time and taste. … 9433 … Cantorials … Hazzanim - Cantors … Hebrew cantillation … Synagogue music … Western …
Between Tradition and Modernity
… … Hazzan, Hazan, Chazzan, Hazzanut, Hazzanim, Hazzanim – Cantors, Cantors – Hazzanim, Cantors … Hazzan, Hazan, Chazzanut, Hazzanut, Hazzanim, …
Introduction to Idelsohn’s Autobiographical Sketches
… Chasanim Welt , the journal of the organization of Jewish cantors in Poland; the second, in English, was printed half …
My Life: A Sketch
… will later become my teacher. The above mentioned cantors had less voice than he, but much sweeter, and their … … autobiographical … autobiographical sketches … Hazzanim - Cantors … My Life: A Sketch … Abraham Zvi Idelsohn …
The Announcement of the Institute of Jewish Music in Jerusalem by A.Z. Idelsohn and S.Z. Rivlin in 1910
… and endeavours to set up institutions for the training of cantors. Each of these domains, the fostering and study and …
An Institute of Jewish Music in Jerusalem
… Persia and Babylonia, and to all the Jewish musicians and cantors in the entire world, from the Jews of [Western] …
Inventing Jewish Music
… however, not a time of passive acquiescence, and the Jewish cantors of central Europe, troubled by the growing awareness …
The Training of Hazzanim in Nineteenth-Century Germany
… the later eighteenth century of individual German cantors, here and there, notating their own compositions had … history … Jewish Culture Germany … Hazzanut … Hazzanim - Cantors … Cantorial Education … Oral transmission … Oral …
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
… the proper melody, assuming that: “Perhaps they [i.e. the cantors] did not want to sing three Seliḥot [penitentiary … preface to this melody (“oy-oy-oy”) was originally what cantors used to call “ shtel ” or “ shtele ,” namely a … following the revolution in Ashkenazi synagogue music by cantors such as Maier Kohn, Sulzer and Naumbourg, some of …