(189 results found)
An Interview with Andy Statman
… and musicians. … 2 … 32-39 … Roslyn, New York … Ellipsis Arts … … 1996 … Ashkenaz … Klezmer musicians … Ashkenazi … …
The Jerusalem-Sephardic Tradition
… and in coffee houses. This music, Caspi said, “entered hearts and souls” and became revered and popular among the …
Arbie Orenstein
… awarding him the medal of Chevalier of the Order of Arts and Letters. Orenstein also wrote an introductory essay …
Hatikvah: Conceptions, Receptions and Reflections
If you have ever searched for Hatikvah online, you were surely exposed to a barrage of…
As If It Were Yesterday
… and musicians. … 2 … 7-23 … Roslyn, New York … Ellipsis Arts … … 1996 … Klezmer musicians … klezmer music …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… and arranged a song called (in his spelling) “Na-aleh L’artsenu – On to Our Land.” Binder indicates that this is a …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… 2002, 139–43 and 159–61. [54] These include individual parts or aliyot in a Torah reading, the end of a Haftarah …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… between them and their Sephardic and Oriental counterparts. In a thought-provoking article on the music of Shofet …
Debbie Friedman’s Shema’ Koleinu: An ancient prayer in a new musical garment
… set the first line of the prayer (divided into two parts) that encapsulates its main theme: Part one: שְׁמַע … as it did in part A. Figure 2. Part C : After repeating parts A and B twice, a coda closes the piece. The coda is …
Four Melodies for Four Questions
… and the melody as it became popular are telling. Abileah starts with a descending fifth, and then neutralizes the D …