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“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)

… voice, viola and piano (Schitomirsky 1912). [1] The melody marked con sordino (muted violin or cello) is almost … arrangement is a post-romantic lied and the viola is marked con sordino throughout the piece, as in Stutschewsky’s …

Nahôn libbo is hujire – Whole-heartedly is the fearful believer

… concert stage is an avant-garde idea in itself, and a remarkable one for that time. The groundbreaking ethnographic …

Bulbe (Volkslied) – “Potato” (Folksong)

… in the notes to number 8. In contrast to the preceding dark arrangement, this number transmits a positive, …

Chassidisches Lied – Hasidic Song

… octaves, creating an open sound foundation to the melody marked forte . Nevertheless, on the third repetition of a … the dissonance in the piano turned into a signature mark in his developing approach to Eastern European Jewish …

Zoock (Volkstanz) – Zhok (Folk dance)

… of a folk band accompanying a lively dance. An accent is marked on the first beat of each bar only, and in such a fast …

Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)

… first part. Half of the rhythmic pattern in the bar is marked forte and the second half piano , a somewhat … as a curtain opening. The tune picks up in two points: one marked by a fermata and the other marked breit (broad) and ritenuto. This gesture may allude to …