(87 results found)
32. La agonía del amante Rosa mia (CES)
… Salonica. The melody appears in a musical transcription by Idelsohn ( 1923 , no. 484) with the same opening stanza. … degree of probability, this is a Greek or Turkish melody (Idelsohn described it as “Turkish, known in Jerusalem”), …
35. Toma mi alma y tómala (CES)
… included in Amor y muerte (PF 034/06; Hemsi 1995, no. 84; Idelsohn 1923 , no. 480). The refrain also appears in El …
70. El barón despreciado ( La Gloria)
… versions see Bernheim 1920 (reproduced without credit in Idelsohn 1923 , no. 498); Attias 1972 , no. 77; Hemsi 1995 , …
Ani hatsal [sic] (Shir hatunah)
… Palestine) after it was published with musical notation by Abraham Zvi Idelsohn in one of his earliest Hebrew articles titled …
A Recovered Voice from the Past
… past. A case in point is the scholar and musician Avraham Zvi Idelsohn, the founding father of modern Jewish musical … the first time as part of our larger endeavor to untangle Abraham Zvi Idelsohn, the man and his work in their …
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
… form of a synoptic table, incorporates three versions of Idelsohn’s autobiography. The original table is available in … their correspondence with the term of endearment 'AZ' (Abraham Zevi). This table must be read in conjunction with … very quiet man, very strict with his sons except for Avram Zvi, the second born and the first son, who was protected …
A cantor’s pledge in the High Holyday’s Provençal liturgy (Minhag Carpentras)
… attention was given to the content of this collection. Idelsohn ( 1929: 340-1 ) argued that it has “scientific … preceding a piyyut in a codex attributed tentatively to Abraham ben Moshe Crescas of Provence (15th century). [2] … University Press), pp. 79-99 (in Hebrew). Idelsohn, Abraham Zvi. 1929. Jewish Music in its Historical Development. New …