… music started at a young age, with annual visits to mount Meron. Despite that, he started playing Klezmer music only … an accordion player. Together they joined the klezmorim in Meron, under the guidance of Avraham Segal . Musa became a … denominations and communities. Still, playing in mount Meron is one of the most important projects in his life.  …

… the celebration of Rabbi Simeon Bar Yochai in his tomb in Meron (Upper Galilee) on the Lag Baomer festival (the …

… a dance niggun during the celebration of Lag B’omer on Mt. Meron in Israel. It shares many of the characteristics of other known “Mt. Meron tunes,” as they became called following the studies of … songs and bonfires. A central musical figure at these Meron festivities for some time now has been a klezmer …

… to an especially happy ‘doyne’ melody.” [Lag B’Omer, Meron, Israel, 1960s-1970s]. Fridhaber 1978a, p. 8 .  … …

… Romanian-Gypsy ‘ doyne ’ melody for him...” [Lag B’Omer, Meron, Israel 1960s-1970s]. Fridhaber 1978a, p. 7 .  “... a …

… to the acrobatic ‘shtoktants’ dance...” [Lag B’Omer, Meron, Israel, 1960s-1970s]. Fridhaber 1978a, pp. 7-8 .  …

… is danced (resurrection of the dead).” [Lag B’Omer, Meron, Israel, 1960s-70s].  Hadju 1971, p. 83 . (Musical …

… long time (sometimes ten or fifteen minutes).” [Lag B’Omer, Meron, Israel, 1960-70s.] Fridhaber 1975, pp. 27-28 .  “ … the Romanian-Gypsy ‘doyne’ melody for him...” [Lag B’Omer, Meron, Israel 1960s-1970s]. Fridhaber 1978a, p. 7 .  “One of … the melody of the ‘beroyges tants’ dance...” [Lag B’Omer, Meron, Israel, 1960s-1970s]. Fridhaber 1978a, p. 8 .  “The …

… end of each citation.   “There is practically speaking no Meron melody that accompanies a simple group circle dance. … same way it entered the Hassidic repertoire.” [Lag B’Omer, Meron, Israel, 1960s-1970s]. Hadju 1971, p. 82 .  “Debka” …

… of the dance are done to  doyna  melodies.” [Lag B’Omer, Meron, Israel, 1960s-70s].  Fridhaber 1975, pp. 29-30 .  … the melody of the ‘beroyges tants’ dance...” [Lag B’Omer, Meron, Israel, 1960s-70s]. Fridhaber 1978a, p. 8 .  “[When … accompanied by anything other than a melody from the niggun-Meron genre, except perhaps the ‘beroyges-tants’ which is …

… those melodies which appear the most established at Meron, such as those connected to processions and other …

… our opinion, constitutes a sister-repertoire to the niggun-Meron of Israel....The fact that it is at Meron that our particular repertoire receives a specific … repertoire. One would be tempted -- if not to situate at Meron the formation of this musical genre -- to perceive, at …