… [Street tune], and rarely did it serve as accompaniment to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, … – and the drone style accompaniment evoke the imagery of a folk band accompanying a lively dance. An accent is marked …

… … 33984 … 50 … Haifa … … 6:3 … 1966 … Ashkenaz … Jewish music … Jewish wedding music … Klezmer … Emil Sekulitz … Jewish Folk Dance Melody ‘Sher Kadril’ …

… 1. Simcha Time 2. Mazeltov Dances 3. Grandma's Draidel 4. Keneh Hora 5. Mendel's Song … 19. Mickey's Mishegoss 20. Sunrise, Sunset 21. Yiddish Folk Melody … 7 … 35453 … Blue Note Records … … 1994 … Wedding … Folk songs … Klezmer musicians … Klezmer music … Yiddish … Yiddish songs … …

… Thesis … 57 … 57 … 1 … 36630 … UCLA, Los Angeles … … 1975 … Dance … Folk music … Iraq … Kurds … Kurdish … Dance and Dance Music of …

… terms, such as tants nign or a tenzl. Other terms for dance tunes are: hopke; dreidl; redl or redele (all probably … in various communities). Hassidic dance tunes have defined musical characteristics such as duple meter and fast tempi … , p. 240; see also Moshe Beregovski, Jewish Instrumental Folk Music , 2001, no. 85, 102. [2]   See Mazor-Hajdu, The …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … citation, you get the full reference.   “The [ beroyges ] dance ended, the song was stopped. The groom approached and … that among our large masses, for a long time now the folkdance has been accompanied by singing; and not only to …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … melodies are deliberately adopted as extraethnic. In Jewish folk music we have a certain number of melodies adopted from the Ukrainian (e.g., the very widespread dance tune  kozačok ) and a great number of folk songs sung …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … get the full reference.   “The principal forms [of Russian folk dance] are the korovod and the trepak, the former danced by …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … pre-World War I]. Cahan 1957, p. 491 (#255) .  “Other dances performed at weddings in East European communities … the klezmers aso played the hopak . (The name hopak was folklorized into hopke .) Jewish kozachok melodies were …

… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … “Vulekhl: Literally, ‘a Wallachian one,’ i.e., a dance or tune in Romanian-Jewish style.” Alpert 1996b, p. 59 … expressing an elegiac mood, in the manner of Wallachian folk music. The hazanim used to sing a Wulach , for example, …