(101 results found)

Sher
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … “Sher: One of the most common dance forms in the Jewish repertoire, similar to a square dance or a Russian … dances. The šer and other couple dances were done by women (or girls) alone. In all the descriptions of weddings …

Mazltov (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … accomapnied by floods of tears and the loud sobbing of the women, especially the bride.” [late nineteenth century]. … the definite form of this dance. It occurs frequently in Jewish dances, but as a phenomenon of an improvisational …
La Gallarda matadora
… 2 Petenera … Our Song of the Month is dedicated to Sephardic music and flamenco, two traditions that crystallized in the … was maintained mostly by oral transmission, primarily by women. The romances, for example, were sung as lullabies and … who brought the seeds of flamenco to Spain. Moreover, the Jewish expulsion from the Iberian Peninsula occurred …

Koyletsh-tants (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … claps their hands.” Fenster 1964, pp. 155-56 . “...the women’s dance (and especially the old women’s dance) before … II]. Gilernt 1954, p. 387 . “After the khupe, according to Jewish custom, they led the joyful couple together on a full …

Patsh Tants (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … and Berk 1948, pp. 23-24 . (Musical notation included). “‘Women, clap! Take pleasure that both mothers-in-law are … a style of dances that was very widespread in Jewish weddings. The scholar and musicologist Moshe …

Kozatske (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … and cannot pay for it. The first part of the melody is of Jewish origin, the latter part is Russian and in keeping … came and we were happy and danced a lot, and the young women performed for us the Kavaliere... the men watched and …

Doyne (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … other contemplative, free-meter genres in the East European Jewish tradition, including cantorial recitatives, the kale … fluere (sheperd’s pipe) or violin; it is sung by men and women, adults and children. In structure it is divided into …

Shemele (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … p. 24 . “The ‘beroyges’ and ‘shalom’ dances [are] two Jewish weddings dances that were widespread in Eastern … [One such example is this song of Eliokum Tzunser:] ‘Women, clap! Take pleasure that both mothers-in-law are …

Semele (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … dance. Cahan introduces some German folk songs as well as Jewish ones in which we find a similar dance. However, the … ‘fun der xejdr zog men nit ojs’ (Zunser 1895:30)... Women, clap! You’ve gotten satisfaction: Both mothers-in-law …

Mitsve-tants (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … singular khusid ] were cornerstones of Leon’s old-time, Jewish dance repertoire. He often referred to them as a … dance in which the men danced with the bridegroom, and the women with the bride ( Sefer Minhagim , Venice, 1590). This …