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German Jewish Sacred Musical Intersections

… of a Jewish bourgeoisie and on the effects of these urban models on synagogues of smaller towns. … … The basic … … The paradigm consists of several elements. First, a modern conceptualization of an endangered “heritage” of solo … Naumbourg (from Munich but active in Paris). The “German model” found diverse forms of expression that reflect local …

Ethiopian Jews in Israel - a Musical Ethnography

… The chapter focuses most especially on the four Ethiopian modes ( qignit ) covered in this literature, in relation to … 11(2):161-173. Gilroy, Paul, 1993, The Black Atlantic: Modernity and Double Consciousness . Cambridge, MA: Harvard …

Beregovski Collection - Nign no. 3

… older strata of the Eastern European Ashkenazi music. This mode is common in prayer tunes, in the Yiddish folk song and … the openness to diverse tempi of one and the same melodic model. [8] Figure 9: Tolna version transcribed by Achron … nineteenth century, becoming an emblematic signifier of modern Israeli culture. As Mazor has shown in his …

Curt Sachs

… musical instruments in 200 years. As one of the founders of modern organology (the study of the nature and history of … … American musicologist of German birth, founders of modern organology … Musicologist … German Jews … American … …

Ibn Danan Synagogue Fes Shutterstock photo

A Moroccan Synagogue Service

… and Oriental pedigree and, to a certain measure, to modern colonial contexts, mostly French-Jewish. Yet, this … only, others much deeper that comprise, in my opinion, a modern development. There are of course aesthetic reasons … to the Sabbath of the pericope “Vayehi” in the tbaʿ (mode) Rasd dhil. The original melody of the Half Qaddish, …