(100 results found)
Polka
… “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin’ such as lances, pa de … padekater, quadrille, polka, waltz, etc... played for both Jews and non-Jews.” Feldman 1994, p. 10 . “‘R. Siminovitz, with a …
Hag Purim – The story behind its melody
… sung in informal settings, the word 'La-yehudim' (for the Jews) is changed to 'La-yeladim' (for the children). Yet, in …
Sirba
… Carpathian region among co-territorial peoples including Jews, Ukrainians, Transylvanian Hungarians, and even Polish … around 1920 [in NY]...[the]style shows the influence of Western art music and the pace is a bit slower than the …
Vals (LKT)
… 1982, p. 533] . “The waltz was also popular among Jews and was danced exclusively at weddings.” Beregovski … “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin such as lances, pa de … padekater, quadrille, polka, waltz, etc... played for both Jews and non-Jews.” Feldman 1994, p. 10 . “A ‘kozak’ [and …
Hatikvah: Conceptions, Receptions and Reflections
… patriotic German songs, certainly known to German-speaking Jews, as a possible source of inspiration: Die Wacht am … melos” that is cross-culturally widespread and of which the Western Sephardic piyyut Lekh le-shalom geshem (see detailed … by Idelsohn), is found in the liturgical repertory of the Western Sephardic communities. It is the melody of the …
On musical connections between Jews and the neighboring peoples of Eastern and Western Europe
… … Robert A. Rothstein … On musical connections between Jews and the neighboring peoples of Eastern and Western Europe …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… in Binder’s piano arrangement, which serve to add a Western chromaticism to the harmony rather than to create … of the songs in Binder’s book, would sound familiar to most Jews with a religious background but would be meaningful to secular Jews as well. Traditionally, the “Yom Gilah” – the day of …
Eastern Ashkenazi Biblical Cantillation: An Interpretive Musical Analysis
… in the areas that comprise today Lithuania, Belarus, Western Russia, Ukraine and Poland and is now widely … grounding in tradition in his own family of immigrants from Western Ukraine, close contact with leading cantors in the … locus ” for discourses that embody “musical corpora of the Jews with what can be called the ‘aura of antiquity’” (47). …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… period, apparently predating its use among Sephardic Jews. Manuscript 85 of the Archivio Storico Comunale of … 13 th century containing our poem (twice) is the French (Western Ashkenazi) order of prayers for the High Holy Days, … poem, and obviously it indicates that in the circle of the (Western Ashkenazi) users of this manuscript there was an …
“Eli Eliyahu:” The Havdalah Piyyut and its Melodies
… It is performed by Sephardic and Eastern (Oriental) Jews in a variety of melodies and textual variations. Text … 1902), a collection compiled according to the custom of the Jews of Crimea [5] Following is the piyyut text as printed … for Kol Israel (Israel Radio) in the 1950’s. This is a very Westernized version of the Ottoman melody and is very …