(108 results found)

Quadrille (LKT)
… “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin such as lances, pa de … padekater, quadrille, polka, waltz, etc...played for both Jews and non-Jews.” Feldman 1994, p. 10 . “We find in a memorial book of …

Pas d’espagne (LKT)
… “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin’ such as lances, pa de … padekater, quadrille, polka, waltz, etc...played for both Jews and non-Jews.” Feldman 1994, p. 10 . “ The Quadrille and Lancelot, …

Pas de quatre (LKT)
… “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin’ such as lances, pa de … padekater, quadrille, polka, waltz, etc...played for both Jews and non-Jews.” Feldman 1994, p. 10 . “I still remember well from my …

Polka
… “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin’ such as lances, pa de … padekater, quadrille, polka, waltz, etc... played for both Jews and non-Jews.” Feldman 1994, p. 10 . “‘R. Siminovitz, with a …
Hag Purim – The story behind its melody
… sung in informal settings, the word 'La-yehudim' (for the Jews) is changed to 'La-yeladim' (for the children). Yet, in …

Sirba
… Carpathian region among co-territorial peoples including Jews, Ukrainians, Transylvanian Hungarians, and even Polish … around 1920 [in NY]...[the]style shows the influence of Western art music and the pace is a bit slower than the …

Vals (LKT)
… 1982, p. 533] . “The waltz was also popular among Jews and was danced exclusively at weddings.” Beregovski … “There are also ‘cosmopolitan repertoire’ couple dances of Western and Central European origin such as lances, pa de … padekater, quadrille, polka, waltz, etc... played for both Jews and non-Jews.” Feldman 1994, p. 10 . “A ‘kozak’ [and …

Hatikvah: Conceptions, Receptions and Reflections
… patriotic German songs, certainly known to German-speaking Jews, as a possible source of inspiration: Die Wacht am … melos” that is cross-culturally widespread and of which the Western Sephardic piyyut Lekh le-shalom geshem (see detailed … by Idelsohn), is found in the liturgical repertory of the Western Sephardic communities. It is the melody of the …

On musical connections between Jews and the neighboring peoples of Eastern and Western Europe
… … Robert A. Rothstein … On musical connections between Jews and the neighboring peoples of Eastern and Western Europe …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… in Binder’s piano arrangement, which serve to add a Western chromaticism to the harmony rather than to create … of the songs in Binder’s book, would sound familiar to most Jews with a religious background but would be meaningful to secular Jews as well. Traditionally, the “Yom Gilah” – the day of …