(229 results found)
Fun mayn verterbikhl (from my dictionary) - Mitsve Tants
… … New York … … 1955 … Dance … Dictionary … Mitsve tants … Wedding … Wedding music … Yiddish … Ashkenazi … Isaac Rivkind … Fun mayn …
Rikudei Mitsva, toldoteyhem, tsoroteyhem verakdaneyhem
… … 3 … 29-40 … Jerusalem … Renanot- the Institute for Jewish Music … … 2000 … Wedding … Customs … Dance … Halakha … Hasidim … Hasidism … …
Adon Olam
… contexts. In the Moroccan tradition, Adon Olam is sung at wedding celebrations and when visiting someone on their deathbed. There is a wide range of musical settings for this hymn, including melodies from …
Cleaving tune (Niggun Dvekut)
… whether with or without text, are considered the core of musical creativity in all hassidic communities. They are … serve to emotionally prepare the bride and groom for the wedding ceremony (kiddushin), while other tunes are sung when the groom is lead to the Badekns ceremony, to the wedding canopy (huppa), or awaits the bride under the …
Tin Pan Alley
… Nickname for the popular songwriting and sheet-music publishing industry centred in New York from the 1890s … by Monroe H. Rosenfeld, composer of such songs as Those wedding bells shall not ring out (1896), Take back your gold … Union Square, the location of the ‘alley’ shifted with music publishers to around West 28th Street in the 1890s, …
Badhan
… Hebrew lit. entertainer. A merrymaker, rhymester, and musician who entertains primarily at weddings. Professional Jewish singers called badhanim or … Elijah b. Isaac of Carcassonne's Asufot) as entertainers at weddings, and at Hanukkah and Purim celebrations. In Eastern …
Dance tune (Niggun rikud)
… in various communities). Hassidic dance tunes have defined musical characteristics such as duple meter and fast tempi … generally have fixed texts which are performed mostly at weddings and at rejoicing festivals such as Simhat Torah and … [1] See Vinaver-Schleifer, Anthology of Hassidic music , p. 240; see also Moshe Beregovski, Jewish …
Admor
… (Tish; see: Tish ) held by him. During festivities, such as weddings in the rabbi's family, all of his H assidim align … Zemirot with them. He also took the job of renewing the musical tradition of the dynasty, and acted as a musical leader [3] . His son and successor was not as …
Freylekhs
… term that, in this case, signifies a musical genre. It seems that Freylekhs tunes comprised … and the Skutchne. Feldman also views the Freylekhs as a musical genre, however to define these tunes as a musical … titled by Kostakowsky as H asidl in International Hebrew Wedding Music , p. 88. [8] S ee: Mazor 2000, pp. 33-34. …
Hora
… r Moshe (Musa) Berlin (b. 1937), who took his tunes from musical scores and records published in the U.S., used the … no.1 ) 2 . The Rumanian Hora was meant for playing at the wedding feast, not during a dance, and sometimes during the … the Hora dance. Following their example, in some Hassidic weddings the Hora was also danced by the adults. Moshe …