(343 results found)
Kale baveynen (LKT)
… you get the full reference. “Non-metrical genres included wedding ritual tunes such as dobraden , dobranoch , some of … and opfihren di makhetonim . There were also non-metrical wedding melodies, such as kaleh beveynen (known as ‘kaleh … ’ in Ukraine), and various tunes played before the khupe (wedding canopy)...” Feldman 1994, p. 7 . See B aveynen , …
Kale bazetsen (LKT)
… vocal or instrumental, to accompany the traditional wedding ritual known as bazetsn di kale (seating the bride) … to the bride). Performed mainly for female members of the wedding party, the poignancy of the kale-bazetsn was … Musical notation included). “Non-metrical genres included wedding ritual tunes such as dobraden’ , dobranoch , some of …
Tsu der khupe (LKT)
… table, street tunes (accompanying the march to the xupe [wedding canopy], leading the in-laws, etc.)...” Beregovski … the home of the bride to escort her and her retinue to the wedding...Now to the strains of music the bride is conducted … the synagogue....Maharil always insists upon music at every wedding.” [Mayence, 15th century]. Schauss 1950, pp. 171-74 …
Fun der khupe (LKT)
… . “The bazetsh di kale , leading from there to where the wedding took place, to the khupe in the large synagogue, and … home -- all to the sounds of a ‘freylekhs’ ... Often the wedding-parade stretched over several streets before leading … 1966, p. 164 . “‘Freylakhs fun der khupe.’ This rollicking wedding march translates as Freylakh from the Wedding Canopy …
Bazetsh di kale (LKT)
… “The bazetsh di kale , leading from there to where the wedding took place, to the khupe in the large synagogue, and … home -- all to the sounds of a ‘freylekhs’ ... Often the wedding-parade stretched over several streets before leading …
Khupe-marsh (LKT)
… melodies for the various situations and moods during the wedding, such as bazetsn di kale, badekns, unterfirung, … Fridkin 1925, p. 46 . “‘ Khupe -march’... for rich wedding... for average wedding... [and] for poor wedding.” [Ritova (Rietavas), …
Opfirn di mekhutonim (LKT)
… table, street tunes (accompanying the march to the xupe [wedding canopy], leading the in-laws, etc.).” Beregovski … di mekhutonim , in which musicians lead a procession of a wedding couple’s families from their homes to the ceremony … references included). “Non-metrical genres included wedding ritual tunes such as dobraden’ , dobranoch , some of …
Freylekhs (LKT)
… [ mitsve dance], alluding to their frequent use at Jewish weddings to accompany the mitsve [ritual commandment/good … or line dance, the most common in East European Jewish wedding dance repertoire, in 4/4 rhythm... Khusidl, Khosidl, … . “Jewish musicians used to play frequently at non-Jewish weddings and festivities where they undoubtedly played …
Freylekhs fun der khupe (LKT)
… While the zhok had already been transformed into several wedding genres... this process had not been completed in the … pp. 10-27 . “‘Freylakhs fun der khupe.’ This rollicking wedding march translates as Freylakh from the Wedding Canopy ...Trills, quick triplets and wicked chirps …
Gas-nign (LKT)
… table, street tunes (accompanying the march to the xupe [wedding canopy], leading the in-laws, etc.)...” Beregovski … street while accompanying guests home at night after the wedding feast or the following day after a solemn meal. The … most improtant trait distinguishing these pieces from the wedding repertoire is the triple meter. It is not known how …