(225 results found)
Early conceptions of the power of music
… Interaction, Tradition and Renewal. Ed. by Asher Ovadiah. Tel Aviv: Ramot Publishing House, Tel Aviv University, 1998 … 2 … 247-266 … Ramot Publishing …
Functionality of the Sephardic Romance
… … 2 … 23-34 … Tel Aviv District … Ministry of Education and Culture … … 1990 … …
The music in the Play Esther in Salonika
… … 2 … 91-100 … Tel Aviv … Tel Aviv University … … 1992 … Saloniki … Susana Weich-Shahak … …
Musika osmanit klasit be-kerev yehudei saloniki (“Ottoman Classic Music among the Jews of Saloniki”).
… … 3 … 79-92 … Tel Aviv … … 1998 … Classical music … Saloniki … Jews … Edwin …
The Jewish Bloch
… much later, after initial American successes, and in completely changed political situation, his works still managed to … double premiere of Bloch’s work in Jerusalem and in Tel Aviv in 1940, for which Ben Haim wrote the program notes …
Yidishe muzik un ire problemen [Yiddish Music and its Problems]
… … 1 … Tel Aviv, Israel … Farlag Y. L. Perets: Velt-federatsye fun …
My People
… for voice (sopran or tenor) and piano. … 57 … 10 … Tel Aviv … Israel Music Institute … … 1962 … Music … Poetry … …
The Twelve Tribes of Israel
… The piece itself was written in 1938, and premiered in Tel Aviv in 1942. It is described by Peter Gradenwitz in his …
Mizmorim (Psalms)
… violin and 8 violoncellos, written in 1983. … 57 … 10 … Tel-Aviv … Israel Music Institute … … 1987 … Music … Israel … …
Seder shel Pesah: nusah Yagur keri'ah ve-zimrah
… children's choir, and instrumental ensemble. … 57 … 10 … Tel Aviv … Ha-Merkaz le-tarbut … … Eretz-Yisrael - the Land of …