(89 results found)
Rabbi Meir Eleazar Atiya
The Jewish Music Research Centre of the Hebrew University of Jerusalem mourns the…
Niggun ‘Akedah: A Traditional Melody Concerning the Binding of Isaac
Niggun ‘Akedah is an Ashkenazi melody firmly associated with the Binding of Isaac,…
The “Jewish Baroque”: The Allure of a Modern Musical Affair
On March 15, 1899, the distinguished scholar, cantor, composer and avid manuscript…
Yom Yom Odeh: Towards the Biography of a Hebrew Baidaphon Record
Introduction
It is November 15, 2016 and I am sitting in a car, driving on a mountain…
German Jewish Sacred Musical Intersections
This project aims to map, analyze and make German Jewish liturgical music (minhag…
Ethiopian Jews in Israel - a Musical Ethnography
I spent the summer of 1989 living in a Nazareth Illit (today Nof HaGalil) neighborhood…
A Moroccan Synagogue Service
This is a short extract of the article “Liturgy: An Overlooked Space in the Moroccan…
Avigdor (Tibor) Herzog
The Jewish Music Research Centre mourns the recent passing of ethnomusicologist…
Male pi shira (My mouth is full of song)
Author: Meir
The 'lahan' is divided into three sections. The first is sung by the…