(76 results found)
Moyshelekh Un Shloymelekh (part 1)
… cadence. The harmony stays simple as well. It is in a minor scale giving this song a gloomy atmosphere and attaching to … utilizes only the first, fifth and fourth degrees of the scale. The above mentioned bars have a short modulation to the parallel major scale; it is a sudden change in the harmony which fits to …
Moyshelekh Un Shloymelekh (part 2)
… of D minor, with a brief modulation to the parallel major scale. It might be suggested that this modulation is a … a modulation of the tonic chord from minor to major. The scale used in this stanza is the Hassidic mode (Shteiger) …
Karaite Jews Musical Tradition
… some of which resemble the Western musical modes and scales. Although, for the most part, traditional Karaite …
‘I’m Sorry, It’s Yom Kippur’: Atonement through Punk (and Traditional Jewish Music)
… same couplets with each couplet going from I (in a minor scale) to V. Each of the song's lines consists of an apology … the line summarizes many of the song's, and on a broader scale, the band's themes that connect between Jewish …
Yiddish Folksong (The Music of the Yiddish Folksong)
… the pronounced fourth degree in the natural minor scale, and the motivic relationships based development of …
Shabbat Hamalcah
… be found in Hebrew, here). Additionally it includes a large scale dance scene to a Hassidic Nigun. … 9 … Herzliya …
Steiger
… of motifs that are built from melodic formulas within a scale system and used for improvisation by the cantor or the … contains within it the typical musical elements of a scale system: half and full cadences, typical rest notes, … that hold a special function for either the motif or the scale. Additionally, the extending of the motif can be …
Musiques liturgiques juives: parcours et escales
… … Hervé Roten … Musiques liturgiques juives: parcours et escales …
Israeli folksongs
… These include the fact that many are written in minor scales, are easy to sing and melodic, have similar subject …
Steiger Ahava Rabah
… This steiger includes characteristic motifs in the phrygian scale with a major third, so we get an augmented second between the second and the third scale steps. When a prayer has a range of more than an … major chord (in this case: C-E-G) and finishes on the fifth scale degree (G) that is emphasized by a repetition. 2. The …