(28 results found)
29. La llamada a la Morena + La nave por partir (CES)
A compilation of stanzas of various sources, some of medieval Hispanic origin (CMP A A45…
43. El infant cautivo (Çakum Effendi)
This romance (CMP H16) was popular among the Eastern Sephardic Jews (especially in…
44. ¿Por qué no cantáis la bella? (Çakum Effendi)
This song consists of two lines of ¿Por qué no cantáis la bella? (CMP J4), a rare…
64. El mancebo seboso + La fea y el viejo (La novia exigente) + Las camas altas (Sida Musafija)
A song of the şarki type combining various themes, all of them of serial structure, sung…
65. El baile de los falsos (Sida Musafija)
This is a Judeo-Spanish contrafact of an extremely popular dance melody of the early…
66. El amor furiente (Sida Musafija)
A very popular song among the Sephardim (see CMP AA66; Attias 1972, no. 83). There are…
67. La seducida en la fuente (La Gloria)
See our notes to song no. 10 above. Unlike the version by the Compagnie Espagnole de…
68. Los árboles llorosos ( La Gloria)
See our notes to nos. 13 and 41 above. In La Gloria’s recording, the first two lines of…
69. Asiéntate te hablaré (La Gloria)
A rare modern song with a refrain in Greek. The third stanza is usually included in…
70. El barón despreciado ( La Gloria)
One of the most well-known modern Ladino songs in Western European style. It was also…