… They were sung at the Vizhnitz court in Grosswardein (Romania) before the Vizhnitz leaders immigrated to Israel. …

… - the spiritual leader of the Sepharadim of Craiova, Romania, and the amazing history of his book of Hebrew … et al. Bucharest: Federation of the Jewish Communities in Romania, 1998, 51-58. .ישראל, ראובן אליהו. טראדוקסייון …

… not only to Jerusalem Jews, but also to Jews in Russia and Romania, and to all the children of the diaspora [bnei … in the despicable and dreadful ghetto -- i.e. the Romanian ghetto, did not have childhood or education; did …

… and Rondo for Qanun and Orchestra by the distinguished Romanian-Israeli composer and conductor Laszlo (Ladislau) … coming from different ends of the musical spectrum (Romania and Iraq respectively) collaborating in the creation …

… Rosenboym [1920-2006] from Kretchniv [today Crăciunești, Romania], the leader of a Hassidic court in Jerusalem … of Satmar [Szatmárnémeti, Hungary, currently Satu Mare, Romania]. R. Mertz performed it when he came from the USA to … that it was sung at the Vizhnitz court in Grosswardein (Romania) before the Vizhnitz leaders immigrated to Israel. …

… Yisrael Noach Kapov-Kagan was born in 1899 in Romania. He began singing from a young age in a number of …

… of each citation, you get the full reference.   “ Sirba (Romanian Sirba ) is another traditional Romanian music and dance genre, known throughout the east … the mountainous regions along the Slovak border). While Romanian sirbas are characterized by 6/8 triplet motion in …

… A free-meter but structured melody for listening, from the Romanian-Jewish repertoire. Often performed for guests at … Literally, ‘a Wallachian one,’ i.e., a dance or tune in Romanian-Jewish style.” Alpert 1996b, p. 59 . “Wulach, … “Some southern hassidic songs show the influence of the Romanians; these songs are therefore known under the name …

… that the doyne had been only recently introduced from Romania, replacing an older genre named taksim . The taksim … derived from the improvised instrumental sections of the Romanian epical ballads ( cintece batrinesti ).” Feldman … Tarras in the 1940s as ‘A Heimisher Sher.’ An example of a Romanian taksim may be heard on record no. 6 of Antologia de …

…   “The doina (Yiddish: doyne or doyna ), a free-meter Romanian folk instrumental genre often associated with … the doina is quintessentially identified with Jews from Romania and the southern Ukraine, by the early twentieth … A free-meter but structured melody for listening, from the Romanian-Jewish repertoire. Often performed for guests at …

… musicians. A favorite among Jews and non-Jews throughout Romania and beyond, this particular tune is known in both … line, or couple dance deriving from the Bessarabian (East Romanian) dance bulgareasca, literally ‘Bulgarian dance,’ … recording references included).   “The last layer of [‘Romania-ization’ of klezmer music] is recognizable. First of …

… “Recent research with Gypsy musicians from Transylvania (Romania) has shown that these musicians had performed a … This piece was originally recorded by Belf’s Orchestra in Romania in 1910... It represents the old country style of … town of Sniatyn... The first section is a very popular Romanian tune (both Jewish and non-Jewish) common in both …