(294 results found)
Riqueza temática del romancero sefardí de Alcazarquivir
… Kelly Benoudis Basilio … second … 2 … Riqueza temática del romancero sefardí de Alcazarquivir … Riqueza temática del romancero sefardí de Alcazarquivir … 35026 … 9-Oct … … Facultade de Letras da Universidade de Lisboa … … 2007 … Romance … Romancero … Sephardi … Roman … Rom … Susana …
Cancionero sefardí
… … Jerusalem … The Hebrew University of Jerusalem … … 1995 … Romance … Sephardi … Roman … Rom … Alberto Hemsi … Edwin Seroussi … Cancionero …
Catorce canciones en romance como modelos de poemas hebreos del siglo XV
… … Sefarad 65/2 … Sefarad 65/2 … 34979 … 385-411 … … 2005 … Romance … Romances … Roman … Rom … Edwin Seroussi … Catorce canciones en romance …
Judeo-Spanish Traditions in Transition
… of Jerusalem Estructura poética y núcleo temática en el romancero sefardí (Poetic Structure and the Thematic Nucleus in the Judeo-Spanish Romancero) Es la intención de mi ponencia proponer un … nos permita asomarnos a la tradición oral del repertorio romancístico sefardí observando aquellos recursos literarios …
The Seventh Day
… Service. For cantor, soli, mixed chorus (SATB) and organ; romanized Hebrew words. … 101 … 101 … 10 … 34478 … 80 … New …
Shofet Kol Ha'aretz
… Italy, Roman Tradition, recorded in 1959 … Hungary, Pressburg …
Shofet Kol Ha'aretz
… is also attested in several medieval manuscripts of the Roman Jewish rite available at the IMHM catalogue. The …
Cantar de las Flores
… the copla is a unique Jewish genre, as opposed to the romance. The majority of the coplas repertoire is meant to …
Yechidi Laderech Li Etse'a
… sung many times, as it came from the very popular Russian romance, 'Vyhozhu odin ja na dorogu' (Alone I set out on the … East, could feel themselves as the lonely traveler of this romantic song. Lermontov's Alone I set out on the road was …
Society for Jewish Folk Music
… the “klezmer” – with the rich harmonies of the late Russian romantic style. Central to this new style was the uniquely … period, was virtually abandoned by the classical and romantic composers. Aside from the two songs opus 91 by Brahms for viola, contralto and piano, the romantic composers wrote almost nothing for this ensemble; …