(179 results found)
Kozatske (LKT)
… center of a circle of men, clapping and stomping out the rhythm of a particular tune, a few dancers bounced …
Patsh Tants (LKT)
… dance music, the dancers would clap the appropriate dance rhythm... patsh-tants : The ways of this dance are, that the …
La Gallarda matadora
… arrangements of Sephardic songs use simpler flamenco rhythms of four beats, such as the Rumba and Tangos. In this … and is reflected in his choice of voicings, harmonies, and rhythmic interpretation of the Bulerías. This version of the …
Quadrille (LKT)
… because of the clapping accompaniment which forms a counter-rhythm. This line influences the rhythm. Also interesting is the augmented second here.” … quadrille, the waltz words were sung which went with the rhythms... Eastern European Jews were accustomed to invite …
Kutner (LKT)
… into position for the dance. The musicians began playing in rhythm. Since they were standing way up in the first room, …
Marsh (LKT)
… theatre, often in fox-trot, waltz, tango, and even rhumba rhythms.” Sokolow 1987, p. 20 . (Musical notation …
Mazurka (LKT)
… theatre, often in fox-trot, waltz, tango, and even rhumba rhythms.” Sokolow 1987, p. 20 . (Musical notation … quadrille, the waltz words were sung which went with the rhythms.” Stutschewsky 1959, pp. 166-67, n. 55 . … Mazurka …
Nokhshpil
… the most common nokhshpil or tsushpil tunes [‘postlude’ or rhythmic melody following a doina or other free-meter …
Tsushpil
… the most common nokhshpil or tsushpil tunes[‘postlude’ or rhythmic melody following a diona or other free-meter tune]. …
Polka
… theatre, often in fox-trot, waltz, tango, and even rhumba rhythms.” Sokolow 1987, p. 20 . “The guests would order … quadrille, the waltz words were sung which went with the rhythms... Eastern European Jews were accustomed to invite …