(179 results found)
"Ayumah be-har hamor" (The Beloved on the mountain of myrrh)
… the first stanza: starting with a slow melody in flowing rhythm, at the Tawshiḥ he adopts a fast rhythm accompanied by a drum. He repeats the first two …
Sara Levi-Tanai
… that celebrated Yemenite traditions, characterized by their rhythmic complexity, vibrant costumes, and expressive …
"Esh'al elohai - Vehalleluya" (I will ask my God - Halleluja)
… The first stanza begins with a slow melody in flowing rhythm, but the tawshiḥ is sung to a different melody. The second stanza is sung to a different melody, quick and rhythmical, accompanied by clapping and a drumbeat. Here, …
"Shaday emor na dai le-galuteinu" (O Lord, say that our exile is enough)
… he sings the first and second in a slow melody and flowing rhythm, and then the fourth, the third and the last to a …
The Music on Comtat-Venaissin
… with them the reflection of these old farandoles whose rhythm unfolds with the same smoothness as the soft curves …
A cantor’s pledge in the High Holyday’s Provençal liturgy (Minhag Carpentras)
… rare in this liturgical genre. However, psalmody’s rhythmic principle of having a longer duration for stressed …
Räng Ovshori
… repeated as many times as required b the dancers. The basic rhythmic pattern is the same as the Täräkämä, although the …
Khars
… in Juhuri) is very similar to Ovshori in its form and rhythm, but much slower in tempo. … 8 … 7 … 41505 … …
Segah rängi
… is performed by the garmoshka against the background of a rhythmic pattern ( zarbi mugham ) played by the other …
Iyr (1)
… It is followed by a short second part which alludes to rhythms from the upcoming sections. The music then abruptly returns to the free rhythm improvisation of the opening section. The third part …