(179 results found)
“Unter dem kinds Wiegele” – Beneath the Baby’s Cradle
… quarter notes and is reinstated with a quarter note triplet rhythm in the next phrase. This contemplative rhythmic expression is underlined with an idiomatic bowing … However, it is underlined by foreign tones as well as by rhythmic groupings independent from the melody’s phrasing. …
El Jiwneh Hagalil (Lied der galilaischen Arbeiter) – God will Build the Galilee (Galilee Worker’s Song)
… interpreting its diatonic cyclical contour and fundamental rhythmic structure. While Kisselgoff’s transcription quoted …
“Schlof majn Kind, ich wel dich wigen” (Wiegenlied) – Sleep my child, I will cradle you (Lullaby)
… provides a rocking cradle-sway feel through a persistent rhythmic pattern: ascending fifth or octave eighth notes in …
Nahôn libbo is hujire – Whole-heartedly is the fearful believer
… F, slow versus fast tempo and symmetric versus asymmetric rhythms. Stutschewsky kept the mode, melodic contour, rhythm and fermatas as in Idelsohn’s source, apart from …
“Die alte Kasche” (Volkslied) – The Old Question (Folksong)
… to the way the language is pronounced in speech. The rhythm and contour of the line Un az men vil / ken men doch …
Lied ohne Worte (chassidisch)
… style is post-Romantic, supportive in harmony, rhythm and even in occasional in unison between the bass and …
Chassidisches Lied – Hasidic Song
… logical order; from the numerous tones, motives, phrases, rhythms eventually grows the unity and so we may say: The …
Zoock (Volkstanz) – Zhok (Folk dance)
… A tonality with an implied D minor. Throughout the ostinato rhythmic accompaniment, Stutschewsky introduces modern and … The accompaniment breaks away from the previous ostinato rhythmic pattern going to an upwards swirl of a broken G …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… in the accompaniment of the Zoock’s first part. Half of the rhythmic pattern in the bar is marked forte and the second … The accompaniment up until the fermata climax on bar 8 is rhythmical, offering a dissonant counterpart to the melody. …
Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei (Yom Kippur Prayer)
… choosing a more conventional harmonic language and rhythms that supported the melody. Octaves progressions in …