(186 results found)

Terkish (LKT)
… Tantz...is based on the 1929 accordion solo in terkishe rhythm by Mishka Tsiganoff...(What has been referred to as terkishe rhythm is the same as the Greek sirto dance rhythm.).” Phillips 1996a, p. 19 . (Musical notation and …

Skotshne/Skochne
… the Slavs. He idealizes, as it were, the forms of the Czech rhythm, giving us non-pictorial dances in which rhythm and form are decisive....There are ‘Furiants’, …

Sirba
… triplet motion in the melody performed against a brisk 2/4 rhythm, Jewish sirbas -- especially outside Romania -- do … dance tune typified by triplets in the melody over a 2/4 rhythm.” Alpert 1996b, p. 59 . “The transitional or … differences, both the sirba and the bulgareasca were rhythmically differentiated from the core klezmer dance …

Sher
… -- along with the sherele -- scissors) tends to a more calm rhythm and to graceful expression. The klezmorim knew well … titled ‘shers; were usually medleys of many short tunes. Rhythmically they were performed like freylakhs.” Phillips … because of the clapping accompaniment which forms a counter-rhythm. This line influences the rhythm. Also interesting is …

Shemonah-esreh tants (LKT)
… prayer... The entire prayer was performed in mimicry and in rhythm.” [Brisk, Lithuania, pre-World War II]. Fridhaber …

Polonaise
… [and] the waltz, words were sung which went with the rhythms.” Stutschewsky 1959, pp. 166-67, n. 55 . … Polonaise …

Polka
… theatre, often in fox-trot, waltz, tango, and even rhumba rhythms.” Sokolow 1987, p. 20 . “The guests would order … quadrille, the waltz words were sung which went with the rhythms... Eastern European Jews were accustomed to invite …

Tsushpil
… the most common nokhshpil or tsushpil tunes[‘postlude’ or rhythmic melody following a diona or other free-meter tune]. …

Nokhshpil
… the most common nokhshpil or tsushpil tunes [‘postlude’ or rhythmic melody following a doina or other free-meter …

Mazurka (LKT)
… theatre, often in fox-trot, waltz, tango, and even rhumba rhythms.” Sokolow 1987, p. 20 . (Musical notation … quadrille, the waltz words were sung which went with the rhythms.” Stutschewsky 1959, pp. 166-67, n. 55 . … Mazurka …