(203 results found)
Idelsohn’s trilingual autobiography and Yiska Idelsohn’s oral memoire
… appeared in 1935. The English one was published in Jewish Music Journal 2, no. 2 (1935): 8-11. The Hebrew one appeared … Kretzschmar [1848-1924], besides voice-training and piano. There I was able to attend the Gewandhaus concerts … thought he would become a Christian because the only piano was in a priest's house in Fordsburg. It was the last …
A Recovered Voice from the Past
… in the Jewish past. A case in point is the scholar and musician Avraham Zvi Idelsohn, the founding father of modern … the British army, he found two, Mr. Seal, who played the piano and Mr. Katshowski, who played the violin who devoted … success in their exams and progress in playing the piano and violin that encouraged him to continue with his …
Keter
… It shows the influence of 19th century Ashkenazi cantorial music on this hazzan and composer. Upon arrival to New York … it and, in general, not to introduce changes in the local music customs. Not all the sections of this composition are … as qaddosh, qaddosh, qaddosh , 'Holy, holy, holy') by the piano. … The Western Sephardi Liturgical Tradition as Sung …
Yevarekhekha
… and the congregation (in short responses performed with piano accompaniment). According to him, this is an old …
A Polka-Mazurka
… I.L. Peretz publications. Recorded by Kol Israel in 2005. Piano: Mathias Malve. … Vemen vestu zingen, vemen? Leibu … … Mazurka … Modern Yiddish stage … Non-religious Yiddish music … Polka … Israel … USSR … Bukovina … A Polka-Mazurka …
Kol Nidrei (Gebet am Jom Kipur) – Kol Nidrei (Yom Kippur Prayer)
… approach that challenged established categories in Jewish music research. This concept was already introduced in the … that supported the melody. Octaves progressions in the piano, a feature of this piece too, part became a marker in … recordings of famous cantors accompanied by harmonium or piano such as Rosenblatt and Sirota. …
Hebräischer Tanz (Original aufgenommen von S. Kisselgoff) – Hebrew Dance (Originally transcribed by S. Kisselgoff)
… pattern in the bar is marked forte and the second half piano , a somewhat theatrical gesture that in the first bar … with the dance. On the repeated G note in the melody the piano brings unexpected harmonies: C minor seventh, G major … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Hebräischer Tanz (Original aufgenommen von S. …
Zoock (Volkstanz) – Zhok (Folk dance)
… to dance. Its origin is in the Moldavian and Rumanian music. The Zoock has well entered the klezmer repertoire, … carry the names of famous klezmer players. And although the musical essence for these pieces were indeed influenced by … sustained fifth sonority at the four opening bars in the piano renders a double meaning: it creates a village-dance …
Chassidisches Lied – Hasidic Song
… in G-od, the almighty, have developed a strong sense for music within their soul. For the Chassid the song and dance … between the melody’s A natural and the octave on A# in the piano. This clash of the Hassidic tune’ tonality against the dissonance in the piano turned into a signature mark in his developing …
Bulbe (Volkslied) – “Potato” (Folksong)
… retained this conventional harmony, and assigned the piano part a typical klezmer um-pah accompaniment pattern. … in bars 7-8. The two closing bars slow down into piano, etwas langsamer , enhancing the elegant humoristic … - Violoncello … Folk songs … Joachim Stutschewsky … Klezmer music … Bulbe (Volkslied) – “Potato” (Folksong) …