(159 results found)
Had Gadya in Israeli Culture
… the modern fate of the song with in contemporary Israeli musical repertoire. H ad Gadya was incorporated to the … song was introduced to the traditions of the Sephardic and Oriental Jews and was translated into the vernacular … its persecutors. A contemporary take on H ad Gadya and its musical setting Along with its various literary …
In Zaltsikn Yam - A Yiddish Workers' Song
… of Russian Jewish political life.” (4) There are two main musical arrangements to the song. The first is a monophonic … in 1932 in the ninth volume of his Thesaurus of Hebrew Oriental Melodies and was classified by him as a melody … May 1, 2014) Idelsohn. A.Z. 1973. Thesaurus of Hebrew Oriental melodies: Vol. 9: the folk song of the East …
Judeo-Spanish Songs for the Life Cycle in the Eastern Mediterranean
… songs, their language and literary content as well as the musical styles of the melodies. You can download MP3s at Amazon , or find it on Apple Music . … אטיאס, משה | Attias, Moshe 1961 Romancero … Judeo-españoles del Ciclo de la Vida en el Mediterráneo Oriental … Ladino, Judeo-Spanish – Ladino, Ladino - …

Ange (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … #219 . ( Musical notation included). “The transitional or ‘Orientalized’ repertoire [of klezmer music] consisted of the …

Freylekhs (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … speaking, except perhaps a few niggunim borrowed from the Oriental communities of Jerusalem. Coming to Meron, they …

Hora (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … and dances.” EncyJud 1971, p. 1267 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named … ‘Zhok’ [D. Tarras]... ‘Kallarash’ [Statman/Feldman]... ‘Oriental Hora (A)’ [M. Liebowitz]... ‘Oriental Hora (B) …

Zhok (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … refers to the term in question. It also indicates whether musical notation or sound recordings are included in the … and dances.” EncyJud 1971, p. 1267 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …

«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… anniversary of the founding of the Society for Jewish Folk Music, the composer Solomon Rosowsky published a short … university-level students in the late Russian Empire was a musician at the St. Petersburg Conservatory. [3] While the … melody to the class. He did not call it “Jewish,” only a “Oriental melody.” But Rimsky-Korsakov noticed its “Jewish” …

Bulgar (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … dances.” EncyJud 1971, p. 1266 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …

Doyne (LKT)
… and contemporary state of knowledge about klezmer music. Each entry includes a number of citations from … or refer to the term in question. It also indicates whether musical notation or sound recordings are included in the … . ( Musical notation included). “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …