(97 results found)
Sirba
… Carpathian region among co-territorial peoples including Jews, Ukrainians, Transylvanian Hungarians, and even Polish … a 2/4 rhythm.” Alpert 1996b, p. 59 . “The transitional or ‘Orientalized’ repertoire consisted of the dance genres named …
Terkish (LKT)
… several items of south Balkan origin were played by the Jews as ‘bulgar,’ they were not called “terkishe,’ and the … as the Greek sirto and suggests connections between the Jews of Eastern Europe and the Greek inhabitants of the … and recording references included). “The Terkish / A quasi-Oriental piece in duple meter, slow-moderate in tempo, using …
Ehad mi Yodea - Its sources, variations, and parodies
… it is originally a Jewish or a non-Jewish song adapted by Jews; 2) If it is of Jewish origin, did it originated in … 201-226. (In Hebrew) Habermann, A.M. “Concerning ‘The Oriental Version of E h ad Mi Yode’a.’” Tarbiz 42 (1973), … Jewish Publication Society, 1963. Sharvit, Shimon. “The Oriental Version of ‘E h ad Mi Yodea’.” Tarbiz 41 (1972a), …
A Gneyve - A Yiddish Song of Theft and Poverty
… both in the ninth volume of his Thesaurus of Hebrew Oriental Melodies (1932), which is dedicated to Yiddish song … Press. Idelsohn, Abraham Zvi. 1932. Thesaurus of Hebrew Oriental Melodies: Volume 9 The Folk Song of the East European Jews . Leipzig: Friedrich Hofmeister. Noy, Dov and Meir Noy. …
Karev Yom
… Bikel’s name appearing is small letters and with two simple Orientalist pencil drawings in its cover. It was revamped … for Israeli “products” in North American concentrations of Jews and Bikel was the right person, at the right time and … triennial order of reading of the Torah practiced by the Jews of Palestine during the Byzantine period. It …
Hatikvah: Conceptions, Receptions and Reflections
… patriotic German songs, certainly known to German-speaking Jews, as a possible source of inspiration: Die Wacht am … Hypotheses In the fourth volume (1923) of his Hebräisch-orientalischer Melodienschatz ( HOM , Berlin, Jerusalem, … Vienna, 10 vols., 1914-1932) dedicated to the music of the “Oriental Sephardic” Jews, the distinguished musicologist …
Na’aleh L’artzeinu – A Simple Melody with an Intricate Story
… to the harmony rather than to create any feeling of Orientalism. Curiously, the musical notation for the singer … of the songs in Binder’s book, would sound familiar to most Jews with a religious background but would be meaningful to … der osteuropäischen Juden , volume 9 of Hebraïsch-orientalischer Melodienschatz (HOM). Leipzig: Friederich …
A centerpiece of the High Holydays liturgy: Shofet Kol Ha'aretz in Moroccan and Yemenite versions
… period, apparently predating its use among Sephardic Jews. Manuscript 85 of the Archivio Storico Comunale of … to fourteen century Ashkenazi Mahzor at the Institute of Oriental Studies of the Russian Academy in St. Petersburg D … (and similarities) between them and their Sephardic and Oriental counterparts. In a thought-provoking article on the …
Four Melodies for Four Questions
… in the seder . Until the mid-20 th century, most Ashkenazi Jews intoned this text with a pentatonic learning tune … into the Ashkenazi dominated milieu, Sephardic and Oriental Jews learned many metric Haggadah tunes taught in … ritual, that of a study session. Ashkenazi, Sephardic and Oriental Jewries therefore applied diverse sonic patterns …
“Eli Eliyahu:” The Havdalah Piyyut and its Melodies
… Motzei Shabbat. It is performed by Sephardic and Eastern (Oriental) Jews in a variety of melodies and textual variations. Text … the metric structure. [7] Abraham Z. Idelsohn, Thesaurus of Oriental Hebrew Melodies (Berlin; Jerusalem: B. Harz, …