(7 results found)
Emanuel Zamir
… the bible, fields, tribes, nature, youth, and in which nationality is inseparable from its content and sounds.' …
Ha-noten teshu’s la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe
… … … 2002 … Liturgy … History … Synagogue … Europe … Nationality … Ashkenazi … Edwin Seroussi … Susanne Borchers … Ha-noten teshu’s la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe …
Ha-noten teshu’a la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe
… Edwin Seroussi … Ha-noten teshu’a la-mlakhim: Identity and Nationality in 19th-century Synagogue Music in Europe …
Hora
… Hebrew folksong … Israeli composers … Israeli Folk Songs … Nationality … Aliyah … Ashkenazi … Israeli … Hora … יעקב מזור …
Inventing Jewish Music
… Israel … Nusach - Nusah - Nusakh … National Culture … Nationality … Philip Vilas Bohlman … Edwin Seroussi … …
The Israeli Mediterranean Style
… composers … Folk songs … Zionism … Jewish nationalism … Nationality … Israel … Israeli … The Israeli Mediterranean …
«A Special Kind of Antisemitism»: On Russian Nationalism and Jewish Music
… essay, Gnesin actually singled out the imperial politics of nationality in shaping the national identities of … parochial definitions of membership based on religion or nationality. In fact, the early drafts of their charter even … explicitly open to all composers “regardless of nationality.” [33] The same cosmopolitan nationalism was …